<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://wiki.ekatrafoundation.org/index.php?action=history&amp;feed=atom&amp;title=%E0%AA%8B%E0%AA%A3%E0%AA%BE%E0%AA%A8%E0%AB%81%E0%AA%AC%E0%AA%82%E0%AA%A7%2F%E0%AA%AA%E0%AA%A8%E0%AB%8D%E0%AA%A8%E0%AA%BE_%E0%AA%A8%E0%AA%BE%E0%AA%AF%E0%AA%95_%3A_%E0%AA%9C%E0%AB%80%E0%AA%B5%E0%AA%A8_%E0%AA%85%E0%AA%A8%E0%AB%87_%E0%AA%B8%E0%AA%B0%E0%AB%8D%E0%AA%9C%E0%AA%A8</id>
	<title>ઋણાનુબંધ/પન્ના નાયક : જીવન અને સર્જન - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://wiki.ekatrafoundation.org/index.php?action=history&amp;feed=atom&amp;title=%E0%AA%8B%E0%AA%A3%E0%AA%BE%E0%AA%A8%E0%AB%81%E0%AA%AC%E0%AA%82%E0%AA%A7%2F%E0%AA%AA%E0%AA%A8%E0%AB%8D%E0%AA%A8%E0%AA%BE_%E0%AA%A8%E0%AA%BE%E0%AA%AF%E0%AA%95_%3A_%E0%AA%9C%E0%AB%80%E0%AA%B5%E0%AA%A8_%E0%AA%85%E0%AA%A8%E0%AB%87_%E0%AA%B8%E0%AA%B0%E0%AB%8D%E0%AA%9C%E0%AA%A8"/>
	<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%8B%E0%AA%A3%E0%AA%BE%E0%AA%A8%E0%AB%81%E0%AA%AC%E0%AA%82%E0%AA%A7/%E0%AA%AA%E0%AA%A8%E0%AB%8D%E0%AA%A8%E0%AA%BE_%E0%AA%A8%E0%AA%BE%E0%AA%AF%E0%AA%95_:_%E0%AA%9C%E0%AB%80%E0%AA%B5%E0%AA%A8_%E0%AA%85%E0%AA%A8%E0%AB%87_%E0%AA%B8%E0%AA%B0%E0%AB%8D%E0%AA%9C%E0%AA%A8&amp;action=history"/>
	<updated>2026-05-19T19:45:05Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.38.2</generator>
	<entry>
		<id>https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%8B%E0%AA%A3%E0%AA%BE%E0%AA%A8%E0%AB%81%E0%AA%AC%E0%AA%82%E0%AA%A7/%E0%AA%AA%E0%AA%A8%E0%AB%8D%E0%AA%A8%E0%AA%BE_%E0%AA%A8%E0%AA%BE%E0%AA%AF%E0%AA%95_:_%E0%AA%9C%E0%AB%80%E0%AA%B5%E0%AA%A8_%E0%AA%85%E0%AA%A8%E0%AB%87_%E0%AA%B8%E0%AA%B0%E0%AB%8D%E0%AA%9C%E0%AA%A8&amp;diff=34797&amp;oldid=prev</id>
		<title>KhyatiJoshi at 11:52, 20 April 2022</title>
		<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%8B%E0%AA%A3%E0%AA%BE%E0%AA%A8%E0%AB%81%E0%AA%AC%E0%AA%82%E0%AA%A7/%E0%AA%AA%E0%AA%A8%E0%AB%8D%E0%AA%A8%E0%AA%BE_%E0%AA%A8%E0%AA%BE%E0%AA%AF%E0%AA%95_:_%E0%AA%9C%E0%AB%80%E0%AA%B5%E0%AA%A8_%E0%AA%85%E0%AA%A8%E0%AB%87_%E0%AA%B8%E0%AA%B0%E0%AB%8D%E0%AA%9C%E0%AA%A8&amp;diff=34797&amp;oldid=prev"/>
		<updated>2022-04-20T11:52:01Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:52, 20 April 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l131&quot;&gt;Line 131:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 131:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;“Aspects of Socialist Realist Verse of Sundaram and Umashankar Joshi” in Marxist Influences and South Asian Literature, ed. by Carlo Coppola, Michigan ઋણાનુબંધ — 574 State University, South Asia Series, Occasional Papers, #23, v.1, 1974, pp. 147-157&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;“Aspects of Socialist Realist Verse of Sundaram and Umashankar Joshi” in Marxist Influences and South Asian Literature, ed. by Carlo Coppola, Michigan ઋણાનુબંધ — 574 State University, South Asia Series, Occasional Papers, #23, v.1, 1974, pp. 147-157&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Poem2Close}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Poem2Close}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{HeaderNav2&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|previous = 4. The Outsider—Muslim in Gujarati Literature&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|next = &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>KhyatiJoshi</name></author>
	</entry>
	<entry>
		<id>https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%8B%E0%AA%A3%E0%AA%BE%E0%AA%A8%E0%AB%81%E0%AA%AC%E0%AA%82%E0%AA%A7/%E0%AA%AA%E0%AA%A8%E0%AB%8D%E0%AA%A8%E0%AA%BE_%E0%AA%A8%E0%AA%BE%E0%AA%AF%E0%AA%95_:_%E0%AA%9C%E0%AB%80%E0%AA%B5%E0%AA%A8_%E0%AA%85%E0%AA%A8%E0%AB%87_%E0%AA%B8%E0%AA%B0%E0%AB%8D%E0%AA%9C%E0%AA%A8&amp;diff=34634&amp;oldid=prev</id>
		<title>KhyatiJoshi at 09:01, 20 April 2022</title>
		<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%8B%E0%AA%A3%E0%AA%BE%E0%AA%A8%E0%AB%81%E0%AA%AC%E0%AA%82%E0%AA%A7/%E0%AA%AA%E0%AA%A8%E0%AB%8D%E0%AA%A8%E0%AA%BE_%E0%AA%A8%E0%AA%BE%E0%AA%AF%E0%AA%95_:_%E0%AA%9C%E0%AB%80%E0%AA%B5%E0%AA%A8_%E0%AA%85%E0%AA%A8%E0%AB%87_%E0%AA%B8%E0%AA%B0%E0%AB%8D%E0%AA%9C%E0%AA%A8&amp;diff=34634&amp;oldid=prev"/>
		<updated>2022-04-20T09:01:21Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:01, 20 April 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;શિક્ષણ&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;શિક્ષણ&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;એમ.એ. (સાઉથ એશિયન સ્ટડીઝ) યુનિવર્સિટી ઑફ પેન્સિલવેનીયા, ફિલાડેલ્ફિયા, ૧૯૭૩&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;એમ.એ. (સાઉથ એશિયન સ્ટડીઝ) યુનિવર્સિટી ઑફ પેન્સિલવેનીયા, ફિલાડેલ્ફિયા, ૧૯૭૩&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot;&gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;પારિતોષિક&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;પારિતોષિક&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;ગાર્ડી રિસર્ચ ઇન્સ્ટિટ્યૂટ ફોર ડાયસ્પોરા સ્ટડીઝ રાઈટિગ ઍવૉર્ડ ૨૦૧૪&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;ગાર્ડી રિસર્ચ ઇન્સ્ટિટ્યૂટ ફોર ડાયસ્પોરા સ્ટડીઝ રાઈટિગ ઍવૉર્ડ ૨૦૧૪&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l42&quot;&gt;Line 42:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 42:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;વ્યવસાય&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;વ્યવસાય&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;ગુજરાતી ભાષાના પ્રોફેસર, યુનિવર્સિટી ઑફ પેન્સિલવૅનિયા, ફિલાડેલ્ફિયા, ૧૯૮૫-૨૦૦૨&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;ગુજરાતી ભાષાના પ્રોફેસર, યુનિવર્સિટી ઑફ પેન્સિલવૅનિયા, ફિલાડેલ્ફિયા, ૧૯૮૫-૨૦૦૨&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l48&quot;&gt;Line 48:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 48:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;કવિતા&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;કવિતા&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;વિદેશિની અને દ્વિદેશિની: સમગ્ર કવિતા 2v. (મુંબઈ, ઇમેજ પબ્લિકેશન્સ, ૨૦૧૭)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;વિદેશિની અને દ્વિદેશિની: સમગ્ર કવિતા 2v. (મુંબઈ, ઇમેજ પબ્લિકેશન્સ, ૨૦૧૭)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l84&quot;&gt;Line 84:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 84:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;વાર્તા&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;વાર્તા&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;પન્ના નાયકનું ડાયસ્પોરા સાહિત્યવિશ્વ સંપાદક: બળવંત જાની. અમદાવાદ, પાર્શ્વ પબ્લિકેશન, ૨૦૧૨&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;પન્ના નાયકનું ડાયસ્પોરા સાહિત્યવિશ્વ સંપાદક: બળવંત જાની. અમદાવાદ, પાર્શ્વ પબ્લિકેશન, ૨૦૧૨&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l92&quot;&gt;Line 92:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 92:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;IN ENGLISH&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;IN ENGLISH&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Astrologer’s Sparrow, Poems, Washington, DC, New Academia Publishing, 2018).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Astrologer’s Sparrow, Poems, Washington, DC, New Academia Publishing, 2018).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>KhyatiJoshi</name></author>
	</entry>
	<entry>
		<id>https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%8B%E0%AA%A3%E0%AA%BE%E0%AA%A8%E0%AB%81%E0%AA%AC%E0%AA%82%E0%AA%A7/%E0%AA%AA%E0%AA%A8%E0%AB%8D%E0%AA%A8%E0%AA%BE_%E0%AA%A8%E0%AA%BE%E0%AA%AF%E0%AA%95_:_%E0%AA%9C%E0%AB%80%E0%AA%B5%E0%AA%A8_%E0%AA%85%E0%AA%A8%E0%AB%87_%E0%AA%B8%E0%AA%B0%E0%AB%8D%E0%AA%9C%E0%AA%A8&amp;diff=34633&amp;oldid=prev</id>
		<title>KhyatiJoshi: Created page with &quot;{{SetTitle}} {{Heading|પન્ના નાયક : જીવન અને સર્જન|}}    {{Poem2Open}} જન્મ: મુંબઈ, ડિસેમ્બર ૨૮...&quot;</title>
		<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%8B%E0%AA%A3%E0%AA%BE%E0%AA%A8%E0%AB%81%E0%AA%AC%E0%AA%82%E0%AA%A7/%E0%AA%AA%E0%AA%A8%E0%AB%8D%E0%AA%A8%E0%AA%BE_%E0%AA%A8%E0%AA%BE%E0%AA%AF%E0%AA%95_:_%E0%AA%9C%E0%AB%80%E0%AA%B5%E0%AA%A8_%E0%AA%85%E0%AA%A8%E0%AB%87_%E0%AA%B8%E0%AA%B0%E0%AB%8D%E0%AA%9C%E0%AA%A8&amp;diff=34633&amp;oldid=prev"/>
		<updated>2022-04-20T08:59:49Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{SetTitle}} {{Heading|પન્ના નાયક : જીવન અને સર્જન|}}    {{Poem2Open}} જન્મ: મુંબઈ, ડિસેમ્બર ૨૮...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{SetTitle}}&lt;br /&gt;
{{Heading|પન્ના નાયક : જીવન અને સર્જન|}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Poem2Open}}&lt;br /&gt;
જન્મ: મુંબઈ, ડિસેમ્બર ૨૮, ૧૯૩૩&lt;br /&gt;
&lt;br /&gt;
માતા: રતનબેન&lt;br /&gt;
&lt;br /&gt;
પિતા: ધીરજલાલ છગનલાલ મોદી&lt;br /&gt;
&lt;br /&gt;
લગ્ન: નિકુલ નાયક સાથે, ૧૯૬૦ (નિકુલ નાયકનું અવસાન ૨૦૦૪)&lt;br /&gt;
&lt;br /&gt;
નટવર ગાંધી સાથે, ૨૦૧૪-&lt;br /&gt;
&lt;br /&gt;
અમેરિકાગમન: ૧૯૬૦&lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;શિક્ષણ&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;br /&gt;
&lt;br /&gt;
એમ.એ. (સાઉથ એશિયન સ્ટડીઝ) યુનિવર્સિટી ઑફ પેન્સિલવેનીયા, ફિલાડેલ્ફિયા, ૧૯૭૩&lt;br /&gt;
&lt;br /&gt;
એમ.એ. (લાઈબ્રેી સાયન્સ) ડ્રેક્ષલ યુનિવર્સિટી, ફિલાડેલ્ફિયા, ૧૯૬૩&lt;br /&gt;
&lt;br /&gt;
એમ.એ. (ગુજરાતી અને સંસ્કૃત) સેંટ ઝેવિયર્સ કૉલેજ, મુંબઈ, ૧૯૫૬&lt;br /&gt;
&lt;br /&gt;
બી. એ. (ગુજરાતી અને સંસ્કૃત) સેંટ ઝેવિયર્સ કૉલેજ, મુંબઈ, ૧૯૫૪&lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;પારિતોષિક&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;br /&gt;
&lt;br /&gt;
ગાર્ડી રિસર્ચ ઇન્સ્ટિટ્યૂટ ફોર ડાયસ્પોરા સ્ટડીઝ રાઈટિગ ઍવૉર્ડ ૨૦૧૪&lt;br /&gt;
&lt;br /&gt;
ગુજરાતી સાહિત્ય પરિષદ, અમદાવાદ (‘રંગઝરૂખે’ કાવ્યસંગ્રહ માટે) ૨૦૦૮&lt;br /&gt;
&lt;br /&gt;
ચુનીલાલ વેલજી મહેતા પારિતોષિક (અમેરિકામાં વસતા સર્જકને) ૨૦૦૨&lt;br /&gt;
&lt;br /&gt;
ગુજરાત રાજ્ય પ્રથમ પારિતોષિક (‘પ્રવેશ’ કાવ્યસંગ્રહ માટે) ૧૯૭૮&lt;br /&gt;
&lt;br /&gt;
કૃષ્ણલાલ ઝવેરી પારિતોષિક (ગુજરાતીમાં ઊંચા ગુણાંક માટે) ૧૯૫૪&lt;br /&gt;
&lt;br /&gt;
મોહનલાલ સૂચક પારિતોષિક (ગુજરાતીમાં ઊંચા ગુણાંક માટે) ૧૯૫૨&lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;વ્યવસાય&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;br /&gt;
&lt;br /&gt;
ગુજરાતી ભાષાના પ્રોફેસર, યુનિવર્સિટી ઑફ પેન્સિલવૅનિયા, ફિલાડેલ્ફિયા, ૧૯૮૫-૨૦૦૨&lt;br /&gt;
&lt;br /&gt;
લાઈબ્રેરીયન, વેન પેલ્ટ લાઇબ્રેરી, યુનિવર્સિટી ઑફ પેન્સિલવૅનિયા, ફિલાડેલ્ફિયા, ૧૯૬૪-૨૦૦૩&lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;કવિતા&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;br /&gt;
&lt;br /&gt;
વિદેશિની અને દ્વિદેશિની: સમગ્ર કવિતા 2v. (મુંબઈ, ઇમેજ પબ્લિકેશન્સ, ૨૦૧૭)&lt;br /&gt;
&lt;br /&gt;
બહિષ્કાર: પન્ના નાયકની ચૂંટલી કવિતાનો મરાઠી અનુવાદ. અનુવાદકાર: દિલીપ વિ. ચિત્રે. મુંબઈ, પોપ્યુલર પ્રકાશન, ૨૦૧૪&lt;br /&gt;
&lt;br /&gt;
અંતિમે (મુંબઈ, ઇમેજ પબ્લિકેશન્સ પ્રા. લિ., ૨૦૧૪)&lt;br /&gt;
&lt;br /&gt;
ગુલમહોરથી ડેફોડિલ્સ (મુંબઈ, ઇમેજ પબ્લિકશન્સ પ્રા. લિ., ૨૦૧૨)&lt;br /&gt;
&lt;br /&gt;
અત્તર અક્ષર, હાઈકુ સંગ્રહ (મુંબઈ, ઇમેજ પબ્લિકેશન્સ પ્રા. લિ., ૨૦૧૧)&lt;br /&gt;
&lt;br /&gt;
વિદેશિની: પન્ના નાયકનાં સ્વરબદ્ધ ગીતોની ઓડિયો સીડી (મુંબઈ, ઇમેજ પબ્લિકેશન્સ પ્રા. લિ., ૨૦૦૯)&lt;br /&gt;
&lt;br /&gt;
ચેરી બ્લોસમ્સ (મુંબઈ, ઇમેજ પબ્લિકેશન્સ પ્રા. લિ., ૨૦૦૪)&lt;br /&gt;
&lt;br /&gt;
રંગઝરૂખે (મુંબઈ, ઇમેજ પબ્લિકેશન્સ પ્રા. લિ., ૨૦૦૪)&lt;br /&gt;
&lt;br /&gt;
વિદેશિની: સમગ્ર કવિતા (મુંબઈ, ઇમેજ પબ્લિકેશન્સ પ્રા. લિ., ૨૦૦૦)&lt;br /&gt;
&lt;br /&gt;
આવજાવન (મુંબઈ, એસ.એ.ડી.ટી. યુનિવર્સિટી, ૧૯૯૧)&lt;br /&gt;
&lt;br /&gt;
કેટલાંક કાવ્યો: સંપાદક: સુરેશ દલાલ, પ્રસ્તાવના: સુરેશ દલાલ (ગાંધીનગર, ગુજરાતી સાહિત્ય અકાદમી, ૧૯૯૦)&lt;br /&gt;
&lt;br /&gt;
અરસપરસ (મુંબઈ, એસ.એન.ડી.ટી. યુનિવર્સિટી, ૧૯૮૯)&lt;br /&gt;
&lt;br /&gt;
નિસ્બત (મુંબઈ, મિહિકા પબ્લિકેશન્સ, ૧૯૮૪) “આ છે પન્નાબહેન! પ્રસ્તાવના: શ્રી વિષ્ણુકુમાર ર. ત્રિવેદી&lt;br /&gt;
&lt;br /&gt;
કાવ્યકોડિયાં: પન્ના નાયકનાં ચૂંટલાં કાવ્યો, સંપાદક: સુરેશ દલાલ (ભાવનગર, લોકમિલાપ ટ્રસ્ટ, ૧૯૮૧)&lt;br /&gt;
&lt;br /&gt;
ફિલાડેલ્ફિયા (મુંબઈ, એન. એમ. ત્રિપાઠી પ્રાઇવેટ લિમિટેડ, ૧૯૮૦)&lt;br /&gt;
&lt;br /&gt;
પ્રવેશ (અમદાવાદ, વોરા એન્ડ કપની, ૧૯૭૫) ‘પ્રવેશની કવિતા’: પ્રસ્તાવના, નલિન રાવળ; afterword: P. Sreenivasa Rao.&lt;br /&gt;
&lt;br /&gt;
ડાયસ્પોરા અને પન્ના નાયકની કવિતા સંપાદક: નૂતન જાની. મુંબઈ, શ્રી ના. દા. ઠા. મહિલા વિદ્યાપીઠ, ૨૦૦૭.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;વાર્તા&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;br /&gt;
&lt;br /&gt;
પન્ના નાયકનું ડાયસ્પોરા સાહિત્યવિશ્વ સંપાદક: બળવંત જાની. અમદાવાદ, પાર્શ્વ પબ્લિકેશન, ૨૦૧૨&lt;br /&gt;
&lt;br /&gt;
પન્ના નાયકનો વાર્તાલોક સંપાદક: મણિલાલ હ. પટેલ (અમદાવાદ, ડિવાઇન પબ્લિકેશન્સ, ૨૦૧૦)&lt;br /&gt;
&lt;br /&gt;
ફ્લેમિન્ગો: (મુંબઈ, ઇમેજ પબ્લિકેશન્સ પ્રા. લિ., ૨૦૦૩)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;big&amp;gt;IN ENGLISH&amp;lt;/big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&lt;br /&gt;
The Astrologer’s Sparrow, Poems, Washington, DC, New Academia Publishing, 2018).&lt;br /&gt;
&lt;br /&gt;
“Debt” and “Ceiling” in World Literature Today (v.854 no.1, January-February 2011, p. 113)&lt;br /&gt;
&lt;br /&gt;
“Snapshot” in Interior Decoration: poems by 54 women from 10 languages (Women Unlimited, 2010, p.163)&lt;br /&gt;
&lt;br /&gt;
“Ilegal alien” in Living in America: poetry and fiction by South Asian writers (Westview Press, 1995, p.57)&lt;br /&gt;
&lt;br /&gt;
“A poem kicking” in World Literature Today (v.8, no.2, Spring 1994, p. 243)&lt;br /&gt;
&lt;br /&gt;
“Seed” and “Talk” In Their Own Voice: the Penguin anthology of contemporary Indian women poets (1993, p.155-156)&lt;br /&gt;
&lt;br /&gt;
“Billi” and “Shishu” in Women Writing In India: 600 B.C. to present (v.2, 1993, p.379-382) ઋણાનુબંધ — 572&lt;br /&gt;
&lt;br /&gt;
“Us” in Manushi, a journal about women and society (no. 71, July-August 1992, p.13)&lt;br /&gt;
&lt;br /&gt;
“Mother” in Massachusetts Review (Spring 1989, p.701-702)&lt;br /&gt;
&lt;br /&gt;
“Homesickness” in Poetry India (1989, p. 21-22)&lt;br /&gt;
&lt;br /&gt;
“My Body” in Prateechi a literary digest of West Indian Languages, 1987 (1992, p.19)&lt;br /&gt;
&lt;br /&gt;
“Fourteen Poems” in Journal of South Asian Literature (v.21, #1, 1986, p.61-67) (v.17, #2, 1982, p.187-193) (v.104 #1, 1974, p.51-53)&lt;br /&gt;
&lt;br /&gt;
“Still Life”, “Talk, “Time”, and “The living room” in Chandrabhaga (Winter) 1982, #8, p.40-41) *&lt;br /&gt;
&lt;br /&gt;
“The Turning” (વળાંક) in Speech and Silence — literary journeys by Gujarati women translated by Rita Kothari (New Delhi, Zubaan 2006)&lt;br /&gt;
&lt;br /&gt;
“Lady with a dot” (લેડી વિથ અ ડોટ) in Kala Arts Quarterly, Toronto, Canada, 2002&lt;br /&gt;
&lt;br /&gt;
“Political Engagement” (ઊડી ગયો હંસ) in Odyssey — an anthology of short stories written by Indian women writers settled abroad, London, Nehru Center, 1998&lt;br /&gt;
&lt;br /&gt;
“The Outsider — Muslim in Gujarati Literature”: a paper presented at the seminar entitled Violence in Gujarat: 2002-2004, arranged by Association for Asian Studies (Michigan) in March 2004 at San Diego, California.&lt;br /&gt;
&lt;br /&gt;
“Umashankar Joshi: A search for Synthesis” in Journal of South Asian Literature, v.9, #1, Spring 1973, pp. 79-110. The Journal also includes Umashankar Joshi’s selected poems in translation.&lt;br /&gt;
&lt;br /&gt;
“Aspects of Socialist Realist Verse of Sundaram and Umashankar Joshi” in Marxist Influences and South Asian Literature, ed. by Carlo Coppola, Michigan ઋણાનુબંધ — 574 State University, South Asia Series, Occasional Papers, #23, v.1, 1974, pp. 147-157&lt;br /&gt;
{{Poem2Close}}&lt;/div&gt;</summary>
		<author><name>KhyatiJoshi</name></author>
	</entry>
</feed>