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ગુજરાતી સાહિત્યકોશ ખંડ ૩/અનુક્રમ/ચ/ચંદનમહેલ - Revision history
2026-04-18T01:02:11Z
Revision history for this page on the wiki
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https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%97%E0%AB%81%E0%AA%9C%E0%AA%B0%E0%AA%BE%E0%AA%A4%E0%AB%80_%E0%AA%B8%E0%AA%BE%E0%AA%B9%E0%AA%BF%E0%AA%A4%E0%AB%8D%E0%AA%AF%E0%AA%95%E0%AB%8B%E0%AA%B6_%E0%AA%96%E0%AA%82%E0%AA%A1_%E0%AB%A9/%E0%AA%85%E0%AA%A8%E0%AB%81%E0%AA%95%E0%AB%8D%E0%AA%B0%E0%AA%AE/%E0%AA%9A/%E0%AA%9A%E0%AA%82%E0%AA%A6%E0%AA%A8%E0%AA%AE%E0%AA%B9%E0%AB%87%E0%AA%B2&diff=23810&oldid=prev
KhyatiJoshi at 14:05, 25 November 2021
2021-11-25T14:05:17Z
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KhyatiJoshi
https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%97%E0%AB%81%E0%AA%9C%E0%AA%B0%E0%AA%BE%E0%AA%A4%E0%AB%80_%E0%AA%B8%E0%AA%BE%E0%AA%B9%E0%AA%BF%E0%AA%A4%E0%AB%8D%E0%AA%AF%E0%AA%95%E0%AB%8B%E0%AA%B6_%E0%AA%96%E0%AA%82%E0%AA%A1_%E0%AB%A9/%E0%AA%85%E0%AA%A8%E0%AB%81%E0%AA%95%E0%AB%8D%E0%AA%B0%E0%AA%AE/%E0%AA%9A/%E0%AA%9A%E0%AA%82%E0%AA%A6%E0%AA%A8%E0%AA%AE%E0%AA%B9%E0%AB%87%E0%AA%B2&diff=23756&oldid=prev
KhyatiJoshi at 12:41, 25 November 2021
2021-11-25T12:41:52Z
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">{{Poem2Open}}</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><span style="color:#0000ff">'''ચંદનમહેલ(Ivory tower)'''</span> : ફ્રેન્ચ સાહિત્યવિવેચક સેંત બવે ઓગણીસમી સદીમાં પહેલીવાર આ સંજ્ઞા પ્રયોજેલી. આ સંજ્ઞા દુન્યવી બાબતોથી દૂરતા, વ્યાવહારિક સમજણ પરત્વેનો તિરસ્કાર અને દૈનંદિન અસ્તિત્વ પરત્વેની ઉદાસીનતા સૂચવે છે. કવિઓને મોટાભાગે ચંદનમહેલના વાસીઓ તરીકે ઓળખાવવામાં આવે છે. જોકે શેલીએ એના વિવેચનમાં કવિઓને જગતના અસ્વીકૃત ઘડવૈયા તરીકે સ્વીકાર્યા છે. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><span style="color:#0000ff">'''ચંદનમહેલ(Ivory tower)'''</span> : ફ્રેન્ચ સાહિત્યવિવેચક સેંત બવે ઓગણીસમી સદીમાં પહેલીવાર આ સંજ્ઞા પ્રયોજેલી. આ સંજ્ઞા દુન્યવી બાબતોથી દૂરતા, વ્યાવહારિક સમજણ પરત્વેનો તિરસ્કાર અને દૈનંદિન અસ્તિત્વ પરત્વેની ઉદાસીનતા સૂચવે છે. કવિઓને મોટાભાગે ચંદનમહેલના વાસીઓ તરીકે ઓળખાવવામાં આવે છે. જોકે શેલીએ એના વિવેચનમાં કવિઓને જગતના અસ્વીકૃત ઘડવૈયા તરીકે સ્વીકાર્યા છે. </div></td></tr>
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KhyatiJoshi
https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%97%E0%AB%81%E0%AA%9C%E0%AA%B0%E0%AA%BE%E0%AA%A4%E0%AB%80_%E0%AA%B8%E0%AA%BE%E0%AA%B9%E0%AA%BF%E0%AA%A4%E0%AB%8D%E0%AA%AF%E0%AA%95%E0%AB%8B%E0%AA%B6_%E0%AA%96%E0%AA%82%E0%AA%A1_%E0%AB%A9/%E0%AA%85%E0%AA%A8%E0%AB%81%E0%AA%95%E0%AB%8D%E0%AA%B0%E0%AA%AE/%E0%AA%9A/%E0%AA%9A%E0%AA%82%E0%AA%A6%E0%AA%A8%E0%AA%AE%E0%AA%B9%E0%AB%87%E0%AA%B2&diff=23755&oldid=prev
KhyatiJoshi: Created page with "{{SetTitle}} {{Poem2Open}} <span style="color:#0000ff">'''ચંદનમહેલ(Ivory tower)'''</span> : ફ્રેન્ચ સાહિત્યવિવેચક સ..."
2021-11-25T12:41:27Z
<p>Created page with "{{SetTitle}} {{Poem2Open}} <span style="color:#0000ff">'''ચંદનમહેલ(Ivory tower)'''</span> : ફ્રેન્ચ સાહિત્યવિવેચક સ..."</p>
<p><b>New page</b></p><div>{{SetTitle}}<br />
<br />
{{Poem2Open}}<br />
<span style="color:#0000ff">'''ચંદનમહેલ(Ivory tower)'''</span> : ફ્રેન્ચ સાહિત્યવિવેચક સેંત બવે ઓગણીસમી સદીમાં પહેલીવાર આ સંજ્ઞા પ્રયોજેલી. આ સંજ્ઞા દુન્યવી બાબતોથી દૂરતા, વ્યાવહારિક સમજણ પરત્વેનો તિરસ્કાર અને દૈનંદિન અસ્તિત્વ પરત્વેની ઉદાસીનતા સૂચવે છે. કવિઓને મોટાભાગે ચંદનમહેલના વાસીઓ તરીકે ઓળખાવવામાં આવે છે. જોકે શેલીએ એના વિવેચનમાં કવિઓને જગતના અસ્વીકૃત ઘડવૈયા તરીકે સ્વીકાર્યા છે. <br />
{{Right|ચં.ટો.}}<br />
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KhyatiJoshi