MeghaBhavsar at 11:21, 23 September 2021

2021-09-23T11:21:13Z

← Older revision		Revision as of 11:21, 23 September 2021
Line 17:		Line 17:
	{{HeaderNav		{{HeaderNav
	\|previous = [[મરણોત્તર/મરણોત્તર\|મરણોત્તર]]		\|previous = [[મરણોત્તર/મરણોત્તર\|મરણોત્તર]]
			\|next = [[મરણોત્તર/૧\|૧]]
	}}		}}

MeghaBhavsar at 09:45, 8 September 2021

2021-09-08T09:45:37Z

← Older revision		Revision as of 09:45, 8 September 2021
Line 13:		Line 13:
	'''{{Right\|સુરેશ જોષી}}'''		'''{{Right\|સુરેશ જોષી}}'''
	{{Poem2Close}}		{{Poem2Close}}


			{{HeaderNav
			\|previous = [[મરણોત્તર/મરણોત્તર\|મરણોત્તર]]
			}}

MeghaBhavsar at 04:35, 30 June 2021

2021-06-30T04:35:55Z

← Older revision		Revision as of 04:35, 30 June 2021
Line 5:		Line 5:
	{{Poem2Open}}		{{Poem2Open}}
	… the novella is based on a single situation and – on the level of plot and characters – remains there. It does not claim to shape the whole of social reality, nor even to depict that whole as it appears from the vantage point of a fundamental and topical problem. Its truth rests on the fact that an individual situation – usually an extreme one ડ્ઢ is possible in a certain society at a certain level of development, and, just because it is possible, is characteristic of this society and this level. For this reason the novella can omit the social genesis of the characters, their relationships, the situations in which they act. Also for this reason, it needs no agencies to set these situations in motion and can forgo concrete perspectives. This peculiarity of the novella, which to be sure permits an infinite internal variety from Boccaccio to Chekhov, enables it to appear historically both as a forerunner and rearguard of the great forms; it can be the artistic representative of the Not – Yet or of the No – Longer, of a totality which can be portrayed.		… the novella is based on a single situation and – on the level of plot and characters – remains there. It does not claim to shape the whole of social reality, nor even to depict that whole as it appears from the vantage point of a fundamental and topical problem. Its truth rests on the fact that an individual situation – usually an extreme one ડ્ઢ is possible in a certain society at a certain level of development, and, just because it is possible, is characteristic of this society and this level. For this reason the novella can omit the social genesis of the characters, their relationships, the situations in which they act. Also for this reason, it needs no agencies to set these situations in motion and can forgo concrete perspectives. This peculiarity of the novella, which to be sure permits an infinite internal variety from Boccaccio to Chekhov, enables it to appear historically both as a forerunner and rearguard of the great forms; it can be the artistic representative of the Not – Yet or of the No – Longer, of a totality which can be portrayed.
	'''{{Right\|– Georg Lukacs}}'''		'''{{Right\|– Georg Lukacs}}'''<br>
			… What does literary success mean? To be condemned by persons who have not read his works and to be imitated by persons devoid of talent. There are only two kinds of literary glory that are worth winning but the writer who wins either will never know. One is to have been the writer, perhaps a quite minor one, in whose work some great master generations later finds an essential clue for solving some problems; the other is to become for someone else an example of the dedicated life.
			''{{Right\|– W. H. Auden'}}'''<br>
			{{Center\|'''ગુલામમોહમ્મદ શેખ તેમ જ ભૂપેન ખખ્ખરને'''}}
			મારી ભાષા બોલાતી પ્રજાના ભાવોચ્છ્વાસનો સુદીર્ઘ ઇતિહાસ, એના બદલાતા રહેતા સંકેતોનો ઇતિહાસ, વિસ્તરતી જતી અર્થચ્છાયાઓ – આ બધું મારામાં જગતને સારવી લેવા માટે મને શબ્દો ઘડી આપે છે. એમાં મારા વ્યક્તિત્વની વિશિષ્ટતા ભળી હોય છે. એ મારી અંદર લુપ્ત થઈને રહે છે. એને ફરીથી સજીવન કરીને અનુપ્રાણિત કરવા માટે મારાથી ઇતર એવા બીજા કોઈકની જરૂર રહે છે. એ ભાષાને મારામાં મૂર્ત કરી ત્યારે મારા જ વ્યક્તિત્વના ઇતર અંશ આગળ ચિત્તના નેપથ્યમાં એ બન્યું હતું. આ બીજા ઇતરની સ્થાપના મારામાં રહેલા એ ઇતરને પણ જાણે ફરીથી સજીવન કરી આપે છે. મારી લખેલી કોઈક ભૂતકાળની વાર્તા કે કવિતા હું વાંચતો હોઉં છું ત્યારે તે સમયનો ભાવપુરુષ ફરીથી સજીવન થઈ ઊઠે છે. એ મારો મારી સાથેનો એક નવો પરિચય હોય છે. આવા મારી સાથેના મારા અનેક પરિચયોની શક્યતા પણ ભાષા જ પ્રગટ કરતી હોય છે.

			'''{{Right\|સુરેશ જોષી}}'''
	{{Poem2Close}}		{{Poem2Close}}

MeghaBhavsar: Created page with "{{SetTitle}} {{Heading|-| સુરેશ જોષી}} {{Poem2Open}} … the novella is based on a single situation and – on the level of plot and characters – remains..."

2021-06-29T12:27:47Z

Created page with "{{SetTitle}} {{Heading|-| સુરેશ જોષી}} {{Poem2Open}} … the novella is based on a single situation and – on the level of plot and characters – remains..."

New page

{{SetTitle}}

{{Heading|-| સુરેશ જોષી}}

{{Poem2Open}}
… the novella is based on a single situation and – on the level of plot and characters – remains there. It does not claim to shape the whole of social reality, nor even to depict that whole as it appears from the vantage point of a fundamental and topical problem. Its truth rests on the fact that an individual situation – usually an extreme one ડ્ઢ is possible in a certain society at a certain level of development, and, just because it is possible, is characteristic of this society and this level. For this reason the novella can omit the social genesis of the characters, their relationships, the situations in which they act. Also for this reason, it needs no agencies to set these situations in motion and can forgo concrete perspectives. This peculiarity of the novella, which to be sure permits an infinite internal variety from Boccaccio to Chekhov, enables it to appear historically both as a forerunner and rearguard of the great forms; it can be the artistic representative of the Not – Yet or of the No – Longer, of a totality which can be portrayed.
'''{{Right|– Georg Lukacs}}'''
{{Poem2Close}}

મરણોત્તર/- - Revision history

MeghaBhavsar at 11:21, 23 September 2021

MeghaBhavsar at 09:45, 8 September 2021

MeghaBhavsar at 04:35, 30 June 2021

MeghaBhavsar: Created page with "{{SetTitle}} {{Heading|-| સુરેશ જોષી}} {{Poem2Open}} … the novella is based on a single situation and – on the level of plot and characters – remains..."