<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://wiki.ekatrafoundation.org/index.php?action=history&amp;feed=atom&amp;title=%E0%AA%B2%E0%AA%98%E0%AB%81_%E0%AA%B8%E0%AA%BF%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%B5%E0%AA%B9%E0%AB%80%2F%E0%AA%B8%E0%AB%88%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%BF%E0%AA%95_%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8_%E0%AA%B8%E0%AB%82%E0%AA%9A%E0%AA%BF</id>
	<title>લઘુ સિદ્ધાન્તવહી/સૈદ્ધાન્તિક વિવેચન સૂચિ - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://wiki.ekatrafoundation.org/index.php?action=history&amp;feed=atom&amp;title=%E0%AA%B2%E0%AA%98%E0%AB%81_%E0%AA%B8%E0%AA%BF%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%B5%E0%AA%B9%E0%AB%80%2F%E0%AA%B8%E0%AB%88%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%BF%E0%AA%95_%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8_%E0%AA%B8%E0%AB%82%E0%AA%9A%E0%AA%BF"/>
	<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B2%E0%AA%98%E0%AB%81_%E0%AA%B8%E0%AA%BF%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%B5%E0%AA%B9%E0%AB%80/%E0%AA%B8%E0%AB%88%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%BF%E0%AA%95_%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8_%E0%AA%B8%E0%AB%82%E0%AA%9A%E0%AA%BF&amp;action=history"/>
	<updated>2026-05-24T03:06:10Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.38.2</generator>
	<entry>
		<id>https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B2%E0%AA%98%E0%AB%81_%E0%AA%B8%E0%AA%BF%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%B5%E0%AA%B9%E0%AB%80/%E0%AA%B8%E0%AB%88%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%BF%E0%AA%95_%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8_%E0%AA%B8%E0%AB%82%E0%AA%9A%E0%AA%BF&amp;diff=93817&amp;oldid=prev</id>
		<title>Meghdhanu at 10:25, 27 August 2025</title>
		<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B2%E0%AA%98%E0%AB%81_%E0%AA%B8%E0%AA%BF%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%B5%E0%AA%B9%E0%AB%80/%E0%AA%B8%E0%AB%88%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%BF%E0%AA%95_%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8_%E0%AA%B8%E0%AB%82%E0%AA%9A%E0%AA%BF&amp;diff=93817&amp;oldid=prev"/>
		<updated>2025-08-27T10:25:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:25, 27 August 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l152&quot;&gt;Line 152:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 152:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{HeaderNav2&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{HeaderNav2&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|previous = &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;સૈદ્ધાન્તિક વિવેચન સૂચિ&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|previous = &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; પરિપૂર્તિ&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|next = પ્રત્યક્ષ વિવેચન (અવલોકન) અર્વાચીન&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|next = પ્રત્યક્ષ વિવેચન (અવલોકન) અર્વાચીન&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Meghdhanu</name></author>
	</entry>
	<entry>
		<id>https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B2%E0%AA%98%E0%AB%81_%E0%AA%B8%E0%AA%BF%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%B5%E0%AA%B9%E0%AB%80/%E0%AA%B8%E0%AB%88%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%BF%E0%AA%95_%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8_%E0%AA%B8%E0%AB%82%E0%AA%9A%E0%AA%BF&amp;diff=93816&amp;oldid=prev</id>
		<title>Meghdhanu: +1</title>
		<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B2%E0%AA%98%E0%AB%81_%E0%AA%B8%E0%AA%BF%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%B5%E0%AA%B9%E0%AB%80/%E0%AA%B8%E0%AB%88%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%BF%E0%AA%95_%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8_%E0%AA%B8%E0%AB%82%E0%AA%9A%E0%AA%BF&amp;diff=93816&amp;oldid=prev"/>
		<updated>2025-08-27T10:25:02Z</updated>

		<summary type="html">&lt;p&gt;+1&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:25, 27 August 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot;&gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;● પ્રાચીન - મધ્યકાલીન&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;● પ્રાચીન - મધ્યકાલીન&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧. ‘અખાની કવિતામાં જ્ઞાનનું અભિજ્ઞાન (સહ./પરિ.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;poem&amp;gt;&lt;/ins&gt;૧. ‘અખાની કવિતામાં જ્ઞાનનું અભિજ્ઞાન (સહ./પરિ.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૨. ‘ગુજરાતી મધ્યકાલીન સાહિત્ય અને સાહિત્યિકતા’ (બ.સં.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૨. ‘ગુજરાતી મધ્યકાલીન સાહિત્ય અને સાહિત્યિકતા’ (બ.સં.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;3. ‘ભારતીય રસબોધની અનન્યતા’ (બ.સં.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;3. ‘ભારતીય રસબોધની અનન્યતા’ (બ.સં.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૪. ‘લોકસાહિત્યમાં અર્થની સમસ્યા’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૪. ‘લોકસાહિત્યમાં અર્થની સમસ્યા’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૫. ‘સુદામાચરિત્રમાં કથનસામર્થ્ય’ (સહ./પરિ.)  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૫. ‘સુદામાચરિત્રમાં કથનસામર્થ્ય’ (સહ./પરિ.)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/poem&amp;gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;● અર્વાચીન&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;● અર્વાચીન&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૬. ‘કવિ કાન્તની કવિતાનું સ્વરૂપ’ (વિ.વિ.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;poem&amp;gt;&lt;/ins&gt;૬. ‘કવિ કાન્તની કવિતાનું સ્વરૂપ’ (વિ.વિ.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૭. ‘ગુજરાતી આત્મકથાલેખન’ (બ.સં.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૭. ‘ગુજરાતી આત્મકથાલેખન’ (બ.સં.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૮. ‘ગુજરાતી ઊર્મિકાવ્યો, બદલાતી વિભાવનાઓ’ (બ.સં.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૮. ‘ગુજરાતી ઊર્મિકાવ્યો, બદલાતી વિભાવનાઓ’ (બ.સં.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot;&gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૬. ‘વિજયરાય વૈદ્યનું સૈદ્ધાન્તિક વિવેચન’ (બ.સં.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૬. ‘વિજયરાય વૈદ્યનું સૈદ્ધાન્તિક વિવેચન’ (બ.સં.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૭. ‘વિષ્ણુપ્રસાદ : સાહિત્યમાં રમણીયતાનો માપદંડ (બ.સં.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૭. ‘વિષ્ણુપ્રસાદ : સાહિત્યમાં રમણીયતાનો માપદંડ (બ.સં.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૮. ‘સુધારકયુગ અને ગુજરાતી સાહિત્યનો ઈતિહાસ’ (સહ./પરિ.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૮. ‘સુધારકયુગ અને ગુજરાતી સાહિત્યનો ઈતિહાસ’ (સહ./પરિ.)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/poem&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;●	આધુનિક&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;●	આધુનિક&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૯. ‘અનુઆધુનિકતાવાદનું માનવપરિમાણ’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;poem&amp;gt;&lt;/ins&gt;૧૯. ‘અનુઆધુનિકતાવાદનું માનવપરિમાણ’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૨૦. ‘અનુવાદ અંગેનાં કેટલાંક દિશાસૂચનો’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૨૦. ‘અનુવાદ અંગેનાં કેટલાંક દિશાસૂચનો’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૨૧. ‘અનુવાદમીમાંસા’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૨૧. ‘અનુવાદમીમાંસા’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l147&quot;&gt;Line 147:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 147:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૩૬. ‘સૌંદર્યશાસ્ત્રની જોહુકમી’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૩૬. ‘સૌંદર્યશાસ્ત્રની જોહુકમી’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૩૭. ‘સ્થળાંતરનો સિદ્ધાન્ત’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૩૭. ‘સ્થળાંતરનો સિદ્ધાન્ત’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૩૮. ‘સ્વાતંત્ર્યોત્તર ગુજરાતી વિવેચનની સૈદ્ધાંતિક ભૂમિકાઓ’ (સહ./પરિ.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૩૮. ‘સ્વાતંત્ર્યોત્તર ગુજરાતી વિવેચનની સૈદ્ધાંતિક ભૂમિકાઓ’ (સહ./પરિ.)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/poem&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{center|●}}  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{center|●}}  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Meghdhanu</name></author>
	</entry>
	<entry>
		<id>https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B2%E0%AA%98%E0%AB%81_%E0%AA%B8%E0%AA%BF%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%B5%E0%AA%B9%E0%AB%80/%E0%AA%B8%E0%AB%88%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%BF%E0%AA%95_%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8_%E0%AA%B8%E0%AB%82%E0%AA%9A%E0%AA%BF&amp;diff=93815&amp;oldid=prev</id>
		<title>Meghdhanu: +1</title>
		<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B2%E0%AA%98%E0%AB%81_%E0%AA%B8%E0%AA%BF%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%B5%E0%AA%B9%E0%AB%80/%E0%AA%B8%E0%AB%88%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%BF%E0%AA%95_%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8_%E0%AA%B8%E0%AB%82%E0%AA%9A%E0%AA%BF&amp;diff=93815&amp;oldid=prev"/>
		<updated>2025-08-27T10:23:37Z</updated>

		<summary type="html">&lt;p&gt;+1&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:23, 27 August 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Heading|સૈદ્ધાન્તિક વિવેચન સૂચિ}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Heading|સૈદ્ધાન્તિક વિવેચન સૂચિ}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &lt;/del&gt;પ્રાચીન - મધ્યકાલીન&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;● &lt;/ins&gt;પ્રાચીન - મધ્યકાલીન&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧. ‘અખાની કવિતામાં જ્ઞાનનું અભિજ્ઞાન (સહ./પરિ.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧. ‘અખાની કવિતામાં જ્ઞાનનું અભિજ્ઞાન (સહ./પરિ.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૫. ‘સુદામાચરિત્રમાં કથનસામર્થ્ય’ (સહ./પરિ.)  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૫. ‘સુદામાચરિત્રમાં કથનસામર્થ્ય’ (સહ./પરિ.)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &lt;/del&gt;અર્વાચીન&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;● &lt;/ins&gt;અર્વાચીન&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૬. ‘કવિ કાન્તની કવિતાનું સ્વરૂપ’ (વિ.વિ.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૬. ‘કવિ કાન્તની કવિતાનું સ્વરૂપ’ (વિ.વિ.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l26&quot;&gt;Line 26:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 26:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૮. ‘સુધારકયુગ અને ગુજરાતી સાહિત્યનો ઈતિહાસ’ (સહ./પરિ.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૮. ‘સુધારકયુગ અને ગુજરાતી સાહિત્યનો ઈતિહાસ’ (સહ./પરિ.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*	&lt;/del&gt;આધુનિક&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;●	&lt;/ins&gt;આધુનિક&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૯. ‘અનુઆધુનિકતાવાદનું માનવપરિમાણ’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;૧૯. ‘અનુઆધુનિકતાવાદનું માનવપરિમાણ’ (નાના.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Meghdhanu</name></author>
	</entry>
	<entry>
		<id>https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B2%E0%AA%98%E0%AB%81_%E0%AA%B8%E0%AA%BF%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%B5%E0%AA%B9%E0%AB%80/%E0%AA%B8%E0%AB%88%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%BF%E0%AA%95_%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8_%E0%AA%B8%E0%AB%82%E0%AA%9A%E0%AA%BF&amp;diff=93814&amp;oldid=prev</id>
		<title>Meghdhanu: +1</title>
		<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B2%E0%AA%98%E0%AB%81_%E0%AA%B8%E0%AA%BF%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%B5%E0%AA%B9%E0%AB%80/%E0%AA%B8%E0%AB%88%E0%AA%A6%E0%AB%8D%E0%AA%A7%E0%AA%BE%E0%AA%A8%E0%AB%8D%E0%AA%A4%E0%AA%BF%E0%AA%95_%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8_%E0%AA%B8%E0%AB%82%E0%AA%9A%E0%AA%BF&amp;diff=93814&amp;oldid=prev"/>
		<updated>2025-08-27T10:22:40Z</updated>

		<summary type="html">&lt;p&gt;+1&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{SetTitle}}&lt;br /&gt;
{{Heading|સૈદ્ધાન્તિક વિવેચન સૂચિ}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;* પ્રાચીન - મધ્યકાલીન&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
૧. ‘અખાની કવિતામાં જ્ઞાનનું અભિજ્ઞાન (સહ./પરિ.)&lt;br /&gt;
૨. ‘ગુજરાતી મધ્યકાલીન સાહિત્ય અને સાહિત્યિકતા’ (બ.સં.)&lt;br /&gt;
3. ‘ભારતીય રસબોધની અનન્યતા’ (બ.સં.)&lt;br /&gt;
૪. ‘લોકસાહિત્યમાં અર્થની સમસ્યા’ (નાના.)&lt;br /&gt;
૫. ‘સુદામાચરિત્રમાં કથનસામર્થ્ય’ (સહ./પરિ.) &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;* અર્વાચીન&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
૬. ‘કવિ કાન્તની કવિતાનું સ્વરૂપ’ (વિ.વિ.)&lt;br /&gt;
૭. ‘ગુજરાતી આત્મકથાલેખન’ (બ.સં.)&lt;br /&gt;
૮. ‘ગુજરાતી ઊર્મિકાવ્યો, બદલાતી વિભાવનાઓ’ (બ.સં.)&lt;br /&gt;
૯. ‘ગુજરાતી કવિતા પર પશ્ચિમનો પ્રભાવ’ (બ.સં.)&lt;br /&gt;
૧૦. ‘ગુજરાતી સાહિત્ય અને પશ્ચિમનો સંદર્ભ’ (વિ.વિ.)&lt;br /&gt;
૧૧. ‘ગુજરાતી સાહિત્યની સમૃદ્ધિ : સ્વરૂપની દૃષ્ટિએ (વિ.વિ.)&lt;br /&gt;
૧૨. ‘ગોવર્ધનરામના ભક્તિવિશ્લેષણમાં હેન્રી મેયનનું પ્રતિમાન’ (બ.સં.)&lt;br /&gt;
૧૩. ‘ચૌરપંચાશિકા અને રાજેન્દ્ર શાહ’ (સહ./પરિ.)&lt;br /&gt;
૧૪. ‘પંડિત યુગની કવિતા’ (વિ.વિ.)&lt;br /&gt;
૧૫. ‘બળવંતરાયની કવિતા’ (વિ.વિ.)&lt;br /&gt;
૧૬. ‘વિજયરાય વૈદ્યનું સૈદ્ધાન્તિક વિવેચન’ (બ.સં.)&lt;br /&gt;
૧૭. ‘વિષ્ણુપ્રસાદ : સાહિત્યમાં રમણીયતાનો માપદંડ (બ.સં.)&lt;br /&gt;
૧૮. ‘સુધારકયુગ અને ગુજરાતી સાહિત્યનો ઈતિહાસ’ (સહ./પરિ.)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;*	આધુનિક&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
૧૯. ‘અનુઆધુનિકતાવાદનું માનવપરિમાણ’ (નાના.)&lt;br /&gt;
૨૦. ‘અનુવાદ અંગેનાં કેટલાંક દિશાસૂચનો’ (નાના.)&lt;br /&gt;
૨૧. ‘અનુવાદમીમાંસા’ (નાના.)&lt;br /&gt;
૨૨. ‘અનુવાદયુગ’ (નાના.)&lt;br /&gt;
૨૩. ‘અન્યો સુધી પહોંચવાની કવિતાની રહસ્યરીતિ’ (નાના.)&lt;br /&gt;
૨૪. ‘અર્થઘટનશાસ્ત્રનું પ્રભાવક સૈદ્ધાંતિક પરિણામ’ (વિ.વિ.)&lt;br /&gt;
૨૫. ‘અર્લમાઈનર અને ભિન્નતાનો આદર’ (નાના.)&lt;br /&gt;
૨૬. ‘આજના સાહિત્યની દશા-દિશા’ (સહ./પરિ.)&lt;br /&gt;
૨૭. ‘આજની કવિતા : પ્રતિભાષાનું કવચ’ (પ્ર.ક.)&lt;br /&gt;
૨૮. ‘આજની કવિતા : ભાષાભિમુખ અભિગમ’ (અપ.)&lt;br /&gt;
૨૯. ‘આજનું દૃશ્યપ્રભાવક્ષેત્ર’ (નાના.)&lt;br /&gt;
૩૦. ‘આધુનિક ગુજરાતી કવિતામાં અર્થવિલંબન’ (અપ.)&lt;br /&gt;
૩૧. ‘આધુનિકતા અને ઉગ્ર-અનુગ્ર પરંપરા’ (નાના.)&lt;br /&gt;
૩૨. ‘આધુનિકતાની વિભાવના’ (વિ.વિ.)&lt;br /&gt;
૩૩. આધુનિક નાટક (વિ.વિ.)&lt;br /&gt;
૩૪. ‘આયઝે બર્લિન : સંસ્કૃતિ, ઈતિહાસ, સાહિત્ય ઇતિહાસ’ (સહ./પરિ.)&lt;br /&gt;
૩૫. ‘આંતરકૃતિત્વ અને કાવ્યસંવાદ’ (બ.સં.)&lt;br /&gt;
૩૬. ‘ઇઝરનો અનેક પરિમાણી અભિગ્રહણસિદ્ધાંત’ (નાના.)&lt;br /&gt;
૩૭. ‘ઇતિહાસ અને કલ્પિત’ (નાના.)&lt;br /&gt;
૩૮. ‘ઇલેક્ટ્રોનિક આક્રમણની વાસ્તવિકતા’ (નાના.)&lt;br /&gt;
૩૯. ‘ઇષ્ટબહુવાદ’ (વિ.વિ.)&lt;br /&gt;
૪૦. ‘ઉત્પત્તિમુલક વિવેચન : સાહિત્યનું ત્રીજું પરિમાણ (નાના.) &lt;br /&gt;
૪૧. ‘એકવીસમી સદીનું ગુજરાતી સાહિત્ય’ (બ.સં.)&lt;br /&gt;
૪૨. ‘એલિયટનાં અપ્રકાશિત કાવ્યો’ (નાના.)&lt;br /&gt;
૪૩. ‘કથનશાસ્ત્ર’ (નાના.)&lt;br /&gt;
૪૪. ‘કથાસાહિત્ય અને માયાભાષા’ (નાના)&lt;br /&gt;
૪૫. ‘કલ્પનવર્તી મનોવિજ્ઞાન અને વિવેચન’ (નાના.)&lt;br /&gt;
૪૬. ‘કવિ અને શબ્દાયાન’ (અપ.)&lt;br /&gt;
૪૭. ‘કવિતા અને સંવ્યય’ (વિ.વિ.)&lt;br /&gt;
૪૮. ‘કવિતાની નવતર મુદ્રા’ (અપ.)&lt;br /&gt;
૪૯. ‘કવિતાને ભજવણી તરફ લઈ જતો ગુડફેલો’ (નાના.)&lt;br /&gt;
૫૦. ‘કવિતામાં પ્રતીકો’ (વિ.વિ.)&lt;br /&gt;
૫૧. ‘કાફકા : મૂલ્ય અને સત્ત્વ’ (નાના.)&lt;br /&gt;
૫૨. ‘કાવ્યમાં અંત’ (સહ./પરિ.)&lt;br /&gt;
૫૩. ‘કાવ્યવાચનના સિક્કાની બીજી બાજુ’ (નાના.)&lt;br /&gt;
૫૪. ‘ગદ્યની વિભાવના’ (સહ./પરિ.)&lt;br /&gt;
૫૫. ‘ગદ્યનું કલાસ્વરૂપ’ (વિ.વિ.)&lt;br /&gt;
૫૬. ‘ગદ્ય વિશ્લેષણનાં વિકસેલાં ઉપકરણો’ (નાના.)&lt;br /&gt;
૫૭. ‘ગીતનો વરતારો કરવો મુશ્કેલ છે’ (સહ./પરિ.)&lt;br /&gt;
૫૮. ‘ગુજરાતી નવલકથામાં અન્તસ્તત્ત્વ’ (વિ.વિ.)&lt;br /&gt;
૫૯. ‘ગુજરાતી સાહિત્યમાં આધુનિકતાવાદી વિચારવલણો’ (પ્ર.ક.)&lt;br /&gt;
૬૦. ‘છંદની અંતરંગ લયવ્યવસ્થા’ (સહ./પરિ.)&lt;br /&gt;
૬૧. ‘છાંદસ તરફની પુનર્ગતિ’ (નાના.)&lt;br /&gt;
૬૨. ‘જેનેતનું પારકૃતિત્વ’ (નાના.)&lt;br /&gt;
૬૩. ‘ઝાક દેરિદા અને વિનિર્મિતિ’ (વિ.વિ.)&lt;br /&gt;
૬૪. ‘ટી.એસ. એલિયટ અને આધુનિકતા’ (વિ.વિ.)&lt;br /&gt;
૬૫. ‘દેરિદાનો અર્થઘટનવિચાર’ (નાના.)&lt;br /&gt;
૬૬. ‘દેશવટો ભોગવતા લેખકો અને નવો સાહિત્યસંદર્ભ’ (નાના.)&lt;br /&gt;
૬૭. ‘ધ્વન્યાલોક અને મોડેલ પદ્ધતિ’ (વિ.વિ.)&lt;br /&gt;
૬૮. ‘નજીબ મહફૂઝ અને પૂર્વીકરણ (નાના.)&lt;br /&gt;
૬૯. ‘નારીવાદ : ભૂમિકા અને સંદર્ભ’ (બ.સં.)&lt;br /&gt;
૭૦. ‘નારીવાદી ઝુંબેશની વચ્ચે પેગ્લિયાની પ્રતિઝુંબેશ’ (નાના.)&lt;br /&gt;
૭૧. ‘નોર્મન હૉલેન્ડનું આદાનપ્રદાન-પ્રતિમાન’ (નાના.)&lt;br /&gt;
૭૨. ‘પરંપરા અને પ્રણાલી’ (નાના.)&lt;br /&gt;
૭૩. ‘પરાવ્યક્તિ અને સંદિગ્ધતા’ (પ્ર.ક.)&lt;br /&gt;
૭૪. ‘પોલ્સનનો સંદર્ભસાપેક્ષ પ્રત્યાયન સિદ્ધાંત’ (નાના.)&lt;br /&gt;
૭૫. ‘પ્રતીકવાદ’ (હ.હં.)&lt;br /&gt;
૭૬. ‘ફૂકોનાં લખાણોમાં સામાજિક સીમાઓનાં ઉલ્લંઘનો (નાના.)&lt;br /&gt;
૭૭. ‘ફોકેમ્માના પાંચ સંકેતો’ (નાના.)&lt;br /&gt;
૭૮. ‘ફ્રેન્ચ નવ્યકથાસાહિત્ય’ (નાના.)&lt;br /&gt;
૭૯. ‘બહુતંત્ર સિદ્ધાંત’ (બ.સં.)&lt;br /&gt;
૮૦. ‘બ્રિટનમાં રાષ્ટ્રીય કવિતાદિન’ (નાના.)&lt;br /&gt;
૮૧. ‘ભાષાની બે ધરીઓ’ (નાના.)&lt;br /&gt;
૮૨. ‘મધ્યકાલીન સાહિત્ય પરનું આપણું સાહિત્ય’ (વિ.વિ.)&lt;br /&gt;
૮૩. ‘મનુષ્યજીવનની વ્યવસ્થામાં સિદ્ધાન્તોનું મહત્ત્વ’ (નાના.)&lt;br /&gt;
૮૪. ‘મહત્તમ આંતરકૃતિની શોધમાં’ (નાના.)&lt;br /&gt;
૮૫. ‘માધ્યમવિજ્ઞાન’ (નાના.)&lt;br /&gt;
૮૬. ‘માનવવિજ્ઞાનની તત્ત્વસમજ’ (નાના.)&lt;br /&gt;
૮૭. ‘મારિનોના તુલનાવિચારમાં સાહિત્યિક અચલો’ (નાના.)&lt;br /&gt;
૮૮. ‘માર્કવિઝ અને નવલકથાકારની કલાસભાનતા (નાના.)&lt;br /&gt;
૮૯. ‘માહિતીસમાજનાં સામૂહિક માધ્યમોના અંતઃસ્ફોટ’ (નાના.)&lt;br /&gt;
૯૦. ‘મિખાઈલ બખ્તિન અને સામાજિક સંદર્ભ’ (વિ.વિ.)&lt;br /&gt;
૯૧. ‘મેલની ક્લાયનનો સર્જકતાનો સિદ્ધાંત’ (નાના.)&lt;br /&gt;
૯૨. ‘યુરિ લોત્મનનો સંકેતમંડળનો ખ્યાલ’ (નાના.)&lt;br /&gt;
૯૩. ‘રચના શિક્ષણની જરૂરિયાત’ (નાના.)&lt;br /&gt;
૯૪. ‘રશદીની ભ્રામક તુમાખી’ (નાના.)&lt;br /&gt;
૯૫. ‘રશિયન સ્વરૂપવાદી વિચારણા’ (વિ.વિ.)&lt;br /&gt;
૯૬. ‘રાષ્ટ્રસમૂહનું સાહિત્ય અને ઉત્તરસંસ્થાનવાદી સાહિત્ય’ (નાના.)&lt;br /&gt;
૯૭. ‘રોલાં બાર્થ અને યાદૃચ્છિક સંકેતોનું અ-વાસ્તવ’ (વિ.વિ.)&lt;br /&gt;
૯૮. ‘લેખકની નિસ્બત’ (નાના.)&lt;br /&gt;
૯૯. ‘લેખનમાં ઉન્માદ અને આસ્વાદ’ (નાના.)&lt;br /&gt;
૧૦૦. ‘લોત્મનની સાહિત્યસિદ્ધાંતવિચારણા’ (વિ.વિ.)&lt;br /&gt;
૧૦૧. ‘વાઙ્મીમાંસા અને સાહિત્યવિવેચન’ (નાના.)&lt;br /&gt;
૧૦૨. ‘વાર્તા નવલમાં લઘુસ્વરૂપ’ (વિ.વિ.)&lt;br /&gt;
૧૦૩. ‘વિરચનવાદ વિરુદ્ધ’ (નાના.)&lt;br /&gt;
૧૦૪. ‘વિવિધ અનુઆધુનિકતાવાદો’ (નાના.)&lt;br /&gt;
૧૦૫. ‘વિવેચનની બે છાવણી : સિદ્ધાન્તવિરોધી અને સિદ્ધાંતવાદી’ (નાના.)&lt;br /&gt;
૧૦૬, ‘વિવેચનનો વિભાજિત પટ’ (વિ.વિ.)&lt;br /&gt;
૧૦૭. ‘વિવેચનવિકાસનાં ત્રણ પ્રતિમાન’ (બ.સં.)&lt;br /&gt;
૧૦૮, ‘વિશ્વવાદી સંદર્ભવાદી દૃષ્ટિકોણ’ (નાના.)&lt;br /&gt;
૧૦૯. ‘વિસંયોજનપરક વિવેચન’ (નાના)&lt;br /&gt;
૧૧૦. ‘વીસમી સદીની ગુજરાતી કવિતા’ (બ.સં.)&lt;br /&gt;
૧૧૧. ‘વેસ્ટલેન્ડ પર એડિસન કેવીનનું ઋણ’ (નાના.)&lt;br /&gt;
૧૧૨. ‘શુદ્ધ વિવેચનનું નિષ્પ્રયોજન’ (બ.સં.)&lt;br /&gt;
૧૧૩. ‘શૈલીગત પ્રભાવનું ઉદાહરણ’ (નાના.)&lt;br /&gt;
૧૧૪. ‘શૈલીવિજ્ઞાન અને વિવેચન’ (વિ.વિ.)&lt;br /&gt;
૧૧૫. ‘સમાજાભિમુખતાનો નવો સંદર્ભ’ (નાના.)&lt;br /&gt;
૧૧૬. ‘સર્જકગદ્ય’ (બ.સં.)&lt;br /&gt;
૧૧૭. ‘સહયોગી કલાઓ’ (નાના.)&lt;br /&gt;
૧૧૮. ‘સંસ્કૃત સાહિત્યકૃતિઓના ગુજરાતી અનુવાદની સમસ્યાઓ (સહ../પરિ.)&lt;br /&gt;
૧૧૯. ‘સા.દૃશ્યમીમાંસા’ (નાના.)&lt;br /&gt;
૧૨૦. ‘સાહિત્ય અને તર્કસંગત પસંદગીનો સિદ્ધાંત’ (નાના.)&lt;br /&gt;
૧૨૧. ‘સાહિત્ય કલા અને સંયોજન’ (સહ./પરિ.)&lt;br /&gt;
૧૨૨. ‘સાહિત્યકૃતિ : સમાકરણ અને અપાકરણ’ (નાના.)&lt;br /&gt;
૧૨૩. ‘સાહિત્યક્ષેત્રે બહુસંવાદ’ (બ.સં.)&lt;br /&gt;
૧૨૪. ‘સાહિત્યની વિહિત સંદિગ્ધતા’ (નાના.)&lt;br /&gt;
૧૨૫. ‘સાહિત્યની સમજ અંગેના મનોવૈજ્ઞાનિક આધારો’ (સહ./પરિ.)&lt;br /&gt;
૧૨૬. ‘સાહિત્યનો પ્રતિકારવર્તી પુનર્યોજી ઈતિહાસ’ (સહ./પરિ.)&lt;br /&gt;
૧૨૭. ‘સાહિત્યનો બહિર્વર્તી અને અંતર્વર્તી ઈતિહાસ’ (નાના.)&lt;br /&gt;
૧૨૮. ‘સાહિત્યભાષા અને વ્યૂહશોધની બેવડી પ્રક્રિયા’ (નાના.)&lt;br /&gt;
૧૨૯. ‘સાહિત્યમાં અંતર્ભવન - બહિર્ભવન’ (નાના.)&lt;br /&gt;
૧૩૦. ‘સાહિત્યમાં પ્રકારોનું વ્યવસ્થાતંત્ર’ (સહ/પરિ.)&lt;br /&gt;
૧૩૧. ‘સાહિત્યમાં વૈજ્ઞાનિકતાનો અર્થ’ (નાના.)&lt;br /&gt;
૧૩૨. ‘સાહિત્ય સ્વરૂપો પર કાવ્યતત્ત્વનું આક્રમણ’ (વિ.વિ.)&lt;br /&gt;
૧૩૩. ‘સિદ્ધાન્તના પક્ષ-પ્રતિપક્ષ’ (નાના.)&lt;br /&gt;
૧૩૪. ‘સેન્ત બવ અને જીવનસંદર્ભ’ (નાના.)&lt;br /&gt;
૧૩૫. ‘સેન્ત બવનું જીવન કથનાત્મક વિવેચન’ (નાના.)&lt;br /&gt;
૧૩૬. ‘સૌંદર્યશાસ્ત્રની જોહુકમી’ (નાના.)&lt;br /&gt;
૧૩૭. ‘સ્થળાંતરનો સિદ્ધાન્ત’ (નાના.)&lt;br /&gt;
૧૩૮. ‘સ્વાતંત્ર્યોત્તર ગુજરાતી વિવેચનની સૈદ્ધાંતિક ભૂમિકાઓ’ (સહ./પરિ.)&lt;br /&gt;
&lt;br /&gt;
{{center|●}} &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
{{HeaderNav2&lt;br /&gt;
|previous = સૈદ્ધાન્તિક વિવેચન સૂચિ&lt;br /&gt;
|next = પ્રત્યક્ષ વિવેચન (અવલોકન) અર્વાચીન&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Meghdhanu</name></author>
	</entry>
</feed>