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શબ્દલોક/સાહિત્યમાં આકૃતિ અને અંતસ્તત્ત્વ - Revision history
2026-05-22T07:53:08Z
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Meghdhanu: =૧
2025-09-11T03:14:49Z
<p>=૧</p>
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Meghdhanu
https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B6%E0%AA%AC%E0%AB%8D%E0%AA%A6%E0%AA%B2%E0%AB%8B%E0%AA%95/%E0%AA%B8%E0%AA%BE%E0%AA%B9%E0%AA%BF%E0%AA%A4%E0%AB%8D%E0%AA%AF%E0%AA%AE%E0%AA%BE%E0%AA%82_%E0%AA%86%E0%AA%95%E0%AB%83%E0%AA%A4%E0%AA%BF_%E0%AA%85%E0%AA%A8%E0%AB%87_%E0%AA%85%E0%AA%82%E0%AA%A4%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AA%A4%E0%AB%8D%E0%AA%A4%E0%AB%8D%E0%AA%B5&diff=95058&oldid=prev
Meghdhanu at 03:14, 11 September 2025
2025-09-11T03:14:06Z
<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Poem2Close}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Poem2Close}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''સંદર્ભસૂચિ'''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''સંદર્ભસૂચિ'''</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><poem>૧. ‘કાવ્યમાં શબ્દ’, ડૉ. હરિવલ્લભ ભાયાણી, ‘આકૃતિ કે રૂપ’ એ લેખ.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><poem><ins style="font-weight: bold; text-decoration: none;">:</ins>૧. ‘કાવ્યમાં શબ્દ’, ડૉ. હરિવલ્લભ ભાયાણી, ‘આકૃતિ કે રૂપ’ એ લેખ.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>૨. ‘કવિની સાધના’, ઉમાશંકર જોશી, ‘કવિની સાધના’ એ લેખ.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:</ins>૨. ‘કવિની સાધના’, ઉમાશંકર જોશી, ‘કવિની સાધના’ એ લેખ.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>૩. ‘કવિની શ્રદ્ધા’, ઉમાશંકર જોશી, ‘કવિની શ્રદ્ધા’ એ લેખ.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:</ins>૩. ‘કવિની શ્રદ્ધા’, ઉમાશંકર જોશી, ‘કવિની શ્રદ્ધા’ એ લેખ.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>૪. ‘કાવ્યચર્ચા’, સુરેશ જોષી, ‘આપણું કાવ્યવિવેચન’ ‘થોડી કાવ્યચર્ચા વિષે’ ‘દક્ષિણદૃષ્ટિ વિવેચન’ વગેરે લેખો.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:</ins>૪. ‘કાવ્યચર્ચા’, સુરેશ જોષી, ‘આપણું કાવ્યવિવેચન’ ‘થોડી કાવ્યચર્ચા વિષે’ ‘દક્ષિણદૃષ્ટિ વિવેચન’ વગેરે લેખો.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>૫. ‘કથોપકથન’, સુરેશ જોષી, ‘નવલકથા વિષે’ એ લેખ.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:</ins>૫. ‘કથોપકથન’, સુરેશ જોષી, ‘નવલકથા વિષે’ એ લેખ.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>૬. ‘શ્રૃણ્વન્તુ’, સુરેશ જોષી, ‘વિવેચનનો અંત?’ એ લેખ.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:</ins>૬. ‘શ્રૃણ્વન્તુ’, સુરેશ જોષી, ‘વિવેચનનો અંત?’ એ લેખ.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>૭. ‘ભાવયિત્રી’, ડૉ. જયંત પાઠક, ‘કાવ્યવિચાર’ એ લેખ.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:</ins>૭. ‘ભાવયિત્રી’, ડૉ. જયંત પાઠક, ‘કાવ્યવિચાર’ એ લેખ.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>૮. ‘આધુનિક કવિતા’, નિરંજન ભગત, પૃ. ૪૧.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:</ins>૮. ‘આધુનિક કવિતા’, નિરંજન ભગત, પૃ. ૪૧.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>૯. ‘રૂપસૃષ્ટિમાં’, ગુલાબદાસ બ્રોકર, ‘સર્જનાત્મક સાહિત્યમાં આકૃતિ અને અંતસ્તત્ત્વ’ એ લેખ.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:</ins>૯. ‘રૂપસૃષ્ટિમાં’, ગુલાબદાસ બ્રોકર, ‘સર્જનાત્મક સાહિત્યમાં આકૃતિ અને અંતસ્તત્ત્વ’ એ લેખ.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>૧૦. Oxford Lectures on Poetry, A. C. Bradley, ‘Poetry for Poetry’s Sake’.</poem></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:</ins>૧૦. Oxford Lectures on Poetry, A. C. Bradley, ‘Poetry for Poetry’s Sake’.</poem></div></td></tr>
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Meghdhanu
https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B6%E0%AA%AC%E0%AB%8D%E0%AA%A6%E0%AA%B2%E0%AB%8B%E0%AA%95/%E0%AA%B8%E0%AA%BE%E0%AA%B9%E0%AA%BF%E0%AA%A4%E0%AB%8D%E0%AA%AF%E0%AA%AE%E0%AA%BE%E0%AA%82_%E0%AA%86%E0%AA%95%E0%AB%83%E0%AA%A4%E0%AA%BF_%E0%AA%85%E0%AA%A8%E0%AB%87_%E0%AA%85%E0%AA%82%E0%AA%A4%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AA%A4%E0%AB%8D%E0%AA%A4%E0%AB%8D%E0%AA%B5&diff=95057&oldid=prev
Meghdhanu: +૧
2025-09-11T03:13:16Z
<p>+૧</p>
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Meghdhanu