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	<title>સંસ્કૃત કાવ્યશાસ્ત્રની આધુનિક કૃતિવિવેચનમાં પ્રસ્તુતતા/આધારસામગ્રી - Revision history</title>
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	<updated>2026-04-06T15:19:47Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B8%E0%AA%82%E0%AA%B8%E0%AB%8D%E0%AA%95%E0%AB%83%E0%AA%A4_%E0%AA%95%E0%AA%BE%E0%AA%B5%E0%AB%8D%E0%AA%AF%E0%AA%B6%E0%AA%BE%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%8D%E0%AA%B0%E0%AA%A8%E0%AB%80_%E0%AA%86%E0%AA%A7%E0%AB%81%E0%AA%A8%E0%AA%BF%E0%AA%95_%E0%AA%95%E0%AB%83%E0%AA%A4%E0%AA%BF%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8%E0%AA%AE%E0%AA%BE%E0%AA%82_%E0%AA%AA%E0%AB%8D%E0%AA%B0%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%81%E0%AA%A4%E0%AA%A4%E0%AA%BE/%E0%AA%86%E0%AA%A7%E0%AA%BE%E0%AA%B0%E0%AA%B8%E0%AA%BE%E0%AA%AE%E0%AA%97%E0%AB%8D%E0%AA%B0%E0%AB%80&amp;diff=75779&amp;oldid=prev</id>
		<title>Meghdhanu at 03:10, 6 July 2024</title>
		<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B8%E0%AA%82%E0%AA%B8%E0%AB%8D%E0%AA%95%E0%AB%83%E0%AA%A4_%E0%AA%95%E0%AA%BE%E0%AA%B5%E0%AB%8D%E0%AA%AF%E0%AA%B6%E0%AA%BE%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%8D%E0%AA%B0%E0%AA%A8%E0%AB%80_%E0%AA%86%E0%AA%A7%E0%AB%81%E0%AA%A8%E0%AA%BF%E0%AA%95_%E0%AA%95%E0%AB%83%E0%AA%A4%E0%AA%BF%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8%E0%AA%AE%E0%AA%BE%E0%AA%82_%E0%AA%AA%E0%AB%8D%E0%AA%B0%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%81%E0%AA%A4%E0%AA%A4%E0%AA%BE/%E0%AA%86%E0%AA%A7%E0%AA%BE%E0%AA%B0%E0%AA%B8%E0%AA%BE%E0%AA%AE%E0%AA%97%E0%AB%8D%E0%AA%B0%E0%AB%80&amp;diff=75779&amp;oldid=prev"/>
		<updated>2024-07-06T03:10:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:10, 6 July 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l30&quot;&gt;Line 30:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 30:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|(हिन्दी) वक्रोक्तिजीवित, व्याख्याकार आचार्य विश्वेश्वर, प्रका. आत्माराम एण्ड संस, दिल्ली, 1955.}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|(हिन्दी) वक्रोक्तिजीवित, व्याख्याकार आचार्य विश्वेश्वर, प्रका. आत्माराम एण्ड संस, दिल्ली, 1955.}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|Śāntarasa and Abhinavagupta’s Philosophy of Aesthetics, J. L. Massion, M. V. Patwardhan, Pub. Bhandarker Oriental Research Institute, Poona, 1969.}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|Śāntarasa and Abhinavagupta’s Philosophy of Aesthetics, J. L. Massion, M. V. Patwardhan, Pub. Bhandarker Oriental Research Institute, Poona, 1969.}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|સંસ્કૃત કાવ્યશાસ્ત્રમાં વક્રોક્તિવિચાર, રાજેન્દ્ર નાણાવટી, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બૉર્ડ, અમદાવાદ, ૧૯૮૯,&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|સંસ્કૃત કાવ્યશાસ્ત્રમાં વક્રોક્તિવિચાર, રાજેન્દ્ર નાણાવટી, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બૉર્ડ, અમદાવાદ, ૧૯૮૯,&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|सौन्दर्यतत्त्व और काव्यसिद्धांत. सुरेन्द्र बारलिगे, प्रका. नेशनल पब्लिशिंग हाउस, दिल्ली, 1963.}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|सौन्दर्यतत्त्व और काव्यसिद्धांत. सुरेन्द्र बारलिगे, प्रका. नेशनल पब्लिशिंग हाउस, दिल्ली, 1963.}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{HeaderNav&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{HeaderNav&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Meghdhanu</name></author>
	</entry>
	<entry>
		<id>https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B8%E0%AA%82%E0%AA%B8%E0%AB%8D%E0%AA%95%E0%AB%83%E0%AA%A4_%E0%AA%95%E0%AA%BE%E0%AA%B5%E0%AB%8D%E0%AA%AF%E0%AA%B6%E0%AA%BE%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%8D%E0%AA%B0%E0%AA%A8%E0%AB%80_%E0%AA%86%E0%AA%A7%E0%AB%81%E0%AA%A8%E0%AA%BF%E0%AA%95_%E0%AA%95%E0%AB%83%E0%AA%A4%E0%AA%BF%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8%E0%AA%AE%E0%AA%BE%E0%AA%82_%E0%AA%AA%E0%AB%8D%E0%AA%B0%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%81%E0%AA%A4%E0%AA%A4%E0%AA%BE/%E0%AA%86%E0%AA%A7%E0%AA%BE%E0%AA%B0%E0%AA%B8%E0%AA%BE%E0%AA%AE%E0%AA%97%E0%AB%8D%E0%AA%B0%E0%AB%80&amp;diff=75778&amp;oldid=prev</id>
		<title>Meghdhanu at 03:10, 6 July 2024</title>
		<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B8%E0%AA%82%E0%AA%B8%E0%AB%8D%E0%AA%95%E0%AB%83%E0%AA%A4_%E0%AA%95%E0%AA%BE%E0%AA%B5%E0%AB%8D%E0%AA%AF%E0%AA%B6%E0%AA%BE%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%8D%E0%AA%B0%E0%AA%A8%E0%AB%80_%E0%AA%86%E0%AA%A7%E0%AB%81%E0%AA%A8%E0%AA%BF%E0%AA%95_%E0%AA%95%E0%AB%83%E0%AA%A4%E0%AA%BF%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8%E0%AA%AE%E0%AA%BE%E0%AA%82_%E0%AA%AA%E0%AB%8D%E0%AA%B0%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%81%E0%AA%A4%E0%AA%A4%E0%AA%BE/%E0%AA%86%E0%AA%A7%E0%AA%BE%E0%AA%B0%E0%AA%B8%E0%AA%BE%E0%AA%AE%E0%AA%97%E0%AB%8D%E0%AA%B0%E0%AB%80&amp;diff=75778&amp;oldid=prev"/>
		<updated>2024-07-06T03:10:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:10, 6 July 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{center|(આ ગ્રંથમાં જેનો ઓછો-વત્તો આધાર લેવામાં આવ્યો છે તે સામગ્રીનો જ અહીં નિર્દેશ કરવામાં આવ્યો છે. ક્રમ ગ્રંથ કે સામયિકના નામનો રાખ્યો છે.)}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{center|(આ ગ્રંથમાં જેનો ઓછો-વત્તો આધાર લેવામાં આવ્યો છે તે સામગ્રીનો જ અહીં નિર્દેશ કરવામાં આવ્યો છે. ક્રમ ગ્રંથ કે સામયિકના નામનો રાખ્યો છે.)}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;poem&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|અભિનવનો રસવિચાર અને બીજા લેખો, નગીનદાસ પારેખ, પ્રકા.}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|અભિનવનો રસવિચાર અને બીજા લેખો, નગીનદાસ પારેખ, પ્રકા.}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|ગૂર્જર ગ્રંથરત્ન કાર્યાલય, અમદાવાદ, સુધારેલી બી.આ. ૧૯૭૮.}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|ગૂર્જર ગ્રંથરત્ન કાર્યાલય, અમદાવાદ, સુધારેલી બી.આ. ૧૯૭૮.}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot;&gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|Śāntarasa and Abhinavagupta’s Philosophy of Aesthetics, J. L. Massion, M. V. Patwardhan, Pub. Bhandarker Oriental Research Institute, Poona, 1969.}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|Śāntarasa and Abhinavagupta’s Philosophy of Aesthetics, J. L. Massion, M. V. Patwardhan, Pub. Bhandarker Oriental Research Institute, Poona, 1969.}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|સંસ્કૃત કાવ્યશાસ્ત્રમાં વક્રોક્તિવિચાર, રાજેન્દ્ર નાણાવટી, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બૉર્ડ, અમદાવાદ, ૧૯૮૯,&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|સંસ્કૃત કાવ્યશાસ્ત્રમાં વક્રોક્તિવિચાર, રાજેન્દ્ર નાણાવટી, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બૉર્ડ, અમદાવાદ, ૧૯૮૯,&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|सौन्दर्यतत्त्व और काव्यसिद्धांत. सुरेन्द्र बारलिगे, प्रका. नेशनल पब्लिशिंग हाउस, दिल्ली, 1963.}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/poem&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{hi|सौन्दर्यतत्त्व और काव्यसिद्धांत. सुरेन्द्र बारलिगे, प्रका. नेशनल पब्लिशिंग हाउस, दिल्ली, 1963.}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{HeaderNav&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{HeaderNav&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|previous =  [[સંસ્કૃત કાવ્યશાસ્ત્રની આધુનિક કૃતિવિવેચનમાં પ્રસ્તુતતા/‘પ્રસાદજીની બેચેની’ (સુન્દરમ્‌)|‘પ્રસાદજીની બેચેની’ (સુન્દરમ્‌ની વાર્તા) : રસશાસ્ત્રીય વિશ્લેષણ]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|previous =  [[સંસ્કૃત કાવ્યશાસ્ત્રની આધુનિક કૃતિવિવેચનમાં પ્રસ્તુતતા/‘પ્રસાદજીની બેચેની’ (સુન્દરમ્‌)|‘પ્રસાદજીની બેચેની’ (સુન્દરમ્‌ની વાર્તા) : રસશાસ્ત્રીય વિશ્લેષણ]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|next =   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|next =   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Meghdhanu</name></author>
	</entry>
	<entry>
		<id>https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B8%E0%AA%82%E0%AA%B8%E0%AB%8D%E0%AA%95%E0%AB%83%E0%AA%A4_%E0%AA%95%E0%AA%BE%E0%AA%B5%E0%AB%8D%E0%AA%AF%E0%AA%B6%E0%AA%BE%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%8D%E0%AA%B0%E0%AA%A8%E0%AB%80_%E0%AA%86%E0%AA%A7%E0%AB%81%E0%AA%A8%E0%AA%BF%E0%AA%95_%E0%AA%95%E0%AB%83%E0%AA%A4%E0%AA%BF%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8%E0%AA%AE%E0%AA%BE%E0%AA%82_%E0%AA%AA%E0%AB%8D%E0%AA%B0%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%81%E0%AA%A4%E0%AA%A4%E0%AA%BE/%E0%AA%86%E0%AA%A7%E0%AA%BE%E0%AA%B0%E0%AA%B8%E0%AA%BE%E0%AA%AE%E0%AA%97%E0%AB%8D%E0%AA%B0%E0%AB%80&amp;diff=75777&amp;oldid=prev</id>
		<title>Meghdhanu at 03:09, 6 July 2024</title>
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		<updated>2024-07-06T03:09:46Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:09, 6 July 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot;&gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{center|(આ ગ્રંથમાં જેનો ઓછો-વત્તો આધાર લેવામાં આવ્યો છે તે સામગ્રીનો જ અહીં નિર્દેશ કરવામાં આવ્યો છે. ક્રમ ગ્રંથ કે સામયિકના નામનો રાખ્યો છે.)}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{center|(આ ગ્રંથમાં જેનો ઓછો-વત્તો આધાર લેવામાં આવ્યો છે તે સામગ્રીનો જ અહીં નિર્દેશ કરવામાં આવ્યો છે. ક્રમ ગ્રંથ કે સામયિકના નામનો રાખ્યો છે.)}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;poem&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;poem&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;અભિનવનો રસવિચાર અને બીજા લેખો, નગીનદાસ પારેખ, પ્રકા.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;અભિનવનો રસવિચાર અને બીજા લેખો, નગીનદાસ પારેખ, પ્રકા.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;ગૂર્જર ગ્રંથરત્ન કાર્યાલય, અમદાવાદ, સુધારેલી બી.આ. ૧૯૭૮.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;ગૂર્જર ગ્રંથરત્ન કાર્યાલય, અમદાવાદ, સુધારેલી બી.આ. ૧૯૭૮.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;East West Poetics at Work, Ed. C. D. Narasimhaiyah, Pub. Sahitya Akademi, New Delhi, 1994.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;East West Poetics at Work, Ed. C. D. Narasimhaiyah, Pub. Sahitya Akademi, New Delhi, 1994.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(हिन्दी) अभिनवभारती (1, 2 और 6 अध्याय) (अनुवाद अने व्याख्या सहित), आचार्य विश्वेश्वर, प्रका. हिन्दी विभाग, दिल्ली विश्वविद्यालय, दिल्ली, 1960.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;(हिन्दी) अभिनवभारती (1, 2 और 6 अध्याय) (अनुवाद अने व्याख्या सहित), आचार्य विश्वेश्वर, प्रका. हिन्दी विभाग, दिल्ली विश्वविद्यालय, दिल्ली, 1960.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;કાવ્યકૌતુક, હરિવલ્લભ ભાયાણી, પકા, શ્રીમતી નાથીબાઈ દામોદર ઠાકરસી મહિલા વિદ્યાપીઠ, મુંબઈ, ૧૯૮૭.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;કાવ્યકૌતુક, હરિવલ્લભ ભાયાણી, પકા, શ્રીમતી નાથીબાઈ દામોદર ઠાકરસી મહિલા વિદ્યાપીઠ, મુંબઈ, ૧૯૮૭.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;કાવ્યજિજ્ઞાસા, અતુલચન્દ્ર ગુપ્ત, અનુ. નગીનદાસ પારેખ, પ્રકા. વોરા, મુંબઈ, ૧૯૬૦.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;કાવ્યજિજ્ઞાસા, અતુલચન્દ્ર ગુપ્ત, અનુ. નગીનદાસ પારેખ, પ્રકા. વોરા, મુંબઈ, ૧૯૬૦.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;કાવ્યતત્ત્વવિચાર, આનંદશંકર ધ્રુવ, પ્રકા, ગૂર્જર ગ્રંથરત્ન કાર્યાલય, અમદાવાદ, ૧૯૪૭.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;કાવ્યતત્ત્વવિચાર, આનંદશંકર ધ્રુવ, પ્રકા, ગૂર્જર ગ્રંથરત્ન કાર્યાલય, અમદાવાદ, ૧૯૪૭.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;કાવ્યપ્રકાશ : મમ્મટનો કાવ્યવિચાર, નગીનદાસ પારેખ, ગુજરાતી સાહિત્ય પરિષદ, અમદાવાદ, ૧૯૮૭.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;કાવ્યપ્રકાશ : મમ્મટનો કાવ્યવિચાર, નગીનદાસ પારેખ, ગુજરાતી સાહિત્ય પરિષદ, અમદાવાદ, ૧૯૮૭.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;કાવ્યમાં શબ્દ, હરિવલ્લભ ભાયાણી, આર. આર. શેઠની કંપની, મુંબઈ-અમદાવાદ, ૧૯૬૮.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;કાવ્યમાં શબ્દ, હરિવલ્લભ ભાયાણી, આર. આર. શેઠની કંપની, મુંબઈ-અમદાવાદ, ૧૯૬૮.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;કાવ્યવિચાર, સુરેન્દ્રનાથ દાસગુપ્ત, અનુ, નગીનદાસ પારેખ, પ્રકા. ગુજરાતી સાહિત્ય પરિષદ, મુંબઈ, ૧૯૪૪.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;કાવ્યવિચાર, સુરેન્દ્રનાથ દાસગુપ્ત, અનુ, નગીનદાસ પારેખ, પ્રકા. ગુજરાતી સાહિત્ય પરિષદ, મુંબઈ, ૧૯૪૪.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kāvyānuśāsana of Acharya Hemachandra, Rasiklal C. Parikh, Pub. Śri Mahāvira Jain Vidyalaya, Bombay, 1964.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;Kāvyānuśāsana of Acharya Hemachandra, Rasiklal C. Parikh, Pub. Śri Mahāvira Jain Vidyalaya, Bombay, 1964.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;કુંતકનો વક્રોક્તિવિચાર, રમેશ મ. શુક્લ, પ્ર. પોતે, સુરત, ૧૯૭૮.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;કુંતકનો વક્રોક્તિવિચાર, રમેશ મ. શુક્લ, પ્ર. પોતે, સુરત, ૧૯૭૮.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;आनन्दवर्धनाचार्यविरचित) ध्वन्यालोक (अभिननवगुप्तविरचित ‘लोचन’ तथा सटिप्पण ‘प्रकाश’ हिन्दी व्याख्या सहित), आचार्य जगन्नाथ पाठक, प्रका. चौखम्बा विद्याभवन, वाराणसी, 1965.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;आनन्दवर्धनाचार्यविरचित) ध्वन्यालोक (अभिननवगुप्तविरचित ‘लोचन’ तथा सटिप्पण ‘प्रकाश’ हिन्दी व्याख्या सहित), आचार्य जगन्नाथ पाठक, प्रका. चौखम्बा विद्याभवन, वाराणसी, 1965.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;ધ્વન્યાલોક : આનન્દવર્ધનનો ધ્વનિવિચાર, નગીનદાસ પારેખ, પ્રકા. ગુજરાતી સાહિત્ય પરિષદ, અમદાવાદ, ૧૯૮૧.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;ધ્વન્યાલોક : આનન્દવર્ધનનો ધ્વનિવિચાર, નગીનદાસ પારેખ, પ્રકા. ગુજરાતી સાહિત્ય પરિષદ, અમદાવાદ, ૧૯૮૧.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Number of Rasas, V. Raghavan, Pub. Adyar Library, Madras, ૧૯૬૭.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;Number of Rasas, V. Raghavan, Pub. Adyar Library, Madras, ૧૯૬૭.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;પરબ, સપ્ટે. ૧૯૬૦ - ‘રસસિદ્ધાંતની હાસ્યરસ પરત્વે ન્યૂનતા’, રામપ્રસાદ બક્ષી; જૂન ૧૯૬૧ – ‘કાવ્યસૃષ્ટિ’નું આક્ષેપ્ય પાત્ર’, જયંત કોઠારી.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;પરબ, સપ્ટે. ૧૯૬૦ - ‘રસસિદ્ધાંતની હાસ્યરસ પરત્વે ન્યૂનતા’, રામપ્રસાદ બક્ષી; જૂન ૧૯૬૧ – ‘કાવ્યસૃષ્ટિ’નું આક્ષેપ્ય પાત્ર’, જયંત કોઠારી.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;પરિશીલન, વિષ્ણુપ્રસાદ ત્રિવેદી, ગાંડીવ સાહિત્ય મંદિર, સૂરત-મુંબઈ, ૧૯૪૯.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;પરિશીલન, વિષ્ણુપ્રસાદ ત્રિવેદી, ગાંડીવ સાહિત્ય મંદિર, સૂરત-મુંબઈ, ૧૯૪૯.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;ભારતીય સાહિત્યવિચારમંજૂષા ખંડ ૧, સંપા. રમેશ સુ. બેટાઈ, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બૉર્ડ, અમદાવાદ, ૧૯૭૫.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;ભારતીય સાહિત્યવિચારમંજૂષા ખંડ ૧, સંપા. રમેશ સુ. બેટાઈ, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બૉર્ડ, અમદાવાદ, ૧૯૭૫.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;भारतीय साहित्यशास्त्र, गणेश त्र्यंबक देशपांडे, प्रका. पोप्युलर बुक डेपो, बंबई, 1960.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;भारतीय साहित्यशास्त्र, गणेश त्र्यंबक देशपांडे, प्रका. पोप्युलर बुक डेपो, बंबई, 1960.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;ભારતીય સાહિત્યશાસ્ત્રની વિચારપરંપરાઓ, તપસ્વી નાન્દી, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બોર્ડ, અમદાવાદ, ૧૯૭૨.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;ભારતીય સાહિત્યશાસ્ત્રની વિચારપરંપરાઓ, તપસ્વી નાન્દી, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બોર્ડ, અમદાવાદ, ૧૯૭૨.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;રચના અને સંરચના, હરિવલ્લભ ભાયાણી, આર. આર. શેઠની કંપની, મુંબઈ - અમદાવાદ, ૧૯૮૦.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;રચના અને સંરચના, હરિવલ્લભ ભાયાણી, આર. આર. શેઠની કંપની, મુંબઈ - અમદાવાદ, ૧૯૮૦.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Vakrokti-Jivita of Kuntaka, K. Krisnamoorthy, Pub. Karnatak University, Dharwad, ૧૯૭૭.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;Vakrokti-Jivita of Kuntaka, K. Krisnamoorthy, Pub. Karnatak University, Dharwad, ૧૯૭૭.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Vakroktijivitam, Ed. Sushilkumar De, Pub. Firma K. L. Mukhopadyaya, Calacutta, ૧૯૬૧.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;The Vakroktijivitam, Ed. Sushilkumar De, Pub. Firma K. L. Mukhopadyaya, Calacutta, ૧૯૬૧.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;વક્રોક્તિજીવિત : કુંતકનો વક્રોક્તિવિચાર, નગીનદાસ પારેખ, પ્રકા. ગુજરાતી સાહિત્ય અકાદમી, ગાંધીનગર, ૧૯૮૮.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;વક્રોક્તિજીવિત : કુંતકનો વક્રોક્તિવિચાર, નગીનદાસ પારેખ, પ્રકા. ગુજરાતી સાહિત્ય અકાદમી, ગાંધીનગર, ૧૯૮૮.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(हिन्दी) वक्रोक्तिजीवित, व्याख्याकार आचार्य विश्वेश्वर, प्रका. आत्माराम एण्ड संस, दिल्ली, 1955.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;(हिन्दी) वक्रोक्तिजीवित, व्याख्याकार आचार्य विश्वेश्वर, प्रका. आत्माराम एण्ड संस, दिल्ली, 1955.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Śāntarasa and Abhinavagupta’s Philosophy of Aesthetics, J. L. Massion, M. V. Patwardhan, Pub. Bhandarker Oriental Research Institute, Poona, 1969.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;Śāntarasa and Abhinavagupta’s Philosophy of Aesthetics, J. L. Massion, M. V. Patwardhan, Pub. Bhandarker Oriental Research Institute, Poona, 1969.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;સંસ્કૃત કાવ્યશાસ્ત્રમાં વક્રોક્તિવિચાર, રાજેન્દ્ર નાણાવટી, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બૉર્ડ, અમદાવાદ, ૧૯૮૯,&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;સંસ્કૃત કાવ્યશાસ્ત્રમાં વક્રોક્તિવિચાર, રાજેન્દ્ર નાણાવટી, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બૉર્ડ, અમદાવાદ, ૧૯૮૯,&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;सौन्दर्यतत्त्व और काव्यसिद्धांत. सुरेन्द्र बारलिगे, प्रका. नेशनल पब्लिशिंग हाउस, दिल्ली, 1963.&amp;lt;/poem&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{hi|&lt;/ins&gt;सौन्दर्यतत्त्व और काव्यसिद्धांत. सुरेन्द्र बारलिगे, प्रका. नेशनल पब्लिशिंग हाउस, दिल्ली, 1963.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&amp;lt;/poem&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{HeaderNav&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{HeaderNav&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|previous =  [[સંસ્કૃત કાવ્યશાસ્ત્રની આધુનિક કૃતિવિવેચનમાં પ્રસ્તુતતા/‘પ્રસાદજીની બેચેની’ (સુન્દરમ્‌)|‘પ્રસાદજીની બેચેની’ (સુન્દરમ્‌ની વાર્તા) : રસશાસ્ત્રીય વિશ્લેષણ]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|previous =  [[સંસ્કૃત કાવ્યશાસ્ત્રની આધુનિક કૃતિવિવેચનમાં પ્રસ્તુતતા/‘પ્રસાદજીની બેચેની’ (સુન્દરમ્‌)|‘પ્રસાદજીની બેચેની’ (સુન્દરમ્‌ની વાર્તા) : રસશાસ્ત્રીય વિશ્લેષણ]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|next =   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|next =   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Meghdhanu</name></author>
	</entry>
	<entry>
		<id>https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B8%E0%AA%82%E0%AA%B8%E0%AB%8D%E0%AA%95%E0%AB%83%E0%AA%A4_%E0%AA%95%E0%AA%BE%E0%AA%B5%E0%AB%8D%E0%AA%AF%E0%AA%B6%E0%AA%BE%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%8D%E0%AA%B0%E0%AA%A8%E0%AB%80_%E0%AA%86%E0%AA%A7%E0%AB%81%E0%AA%A8%E0%AA%BF%E0%AA%95_%E0%AA%95%E0%AB%83%E0%AA%A4%E0%AA%BF%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8%E0%AA%AE%E0%AA%BE%E0%AA%82_%E0%AA%AA%E0%AB%8D%E0%AA%B0%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%81%E0%AA%A4%E0%AA%A4%E0%AA%BE/%E0%AA%86%E0%AA%A7%E0%AA%BE%E0%AA%B0%E0%AA%B8%E0%AA%BE%E0%AA%AE%E0%AA%97%E0%AB%8D%E0%AA%B0%E0%AB%80&amp;diff=75776&amp;oldid=prev</id>
		<title>Meghdhanu: +૧</title>
		<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B8%E0%AA%82%E0%AA%B8%E0%AB%8D%E0%AA%95%E0%AB%83%E0%AA%A4_%E0%AA%95%E0%AA%BE%E0%AA%B5%E0%AB%8D%E0%AA%AF%E0%AA%B6%E0%AA%BE%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%8D%E0%AA%B0%E0%AA%A8%E0%AB%80_%E0%AA%86%E0%AA%A7%E0%AB%81%E0%AA%A8%E0%AA%BF%E0%AA%95_%E0%AA%95%E0%AB%83%E0%AA%A4%E0%AA%BF%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8%E0%AA%AE%E0%AA%BE%E0%AA%82_%E0%AA%AA%E0%AB%8D%E0%AA%B0%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%81%E0%AA%A4%E0%AA%A4%E0%AA%BE/%E0%AA%86%E0%AA%A7%E0%AA%BE%E0%AA%B0%E0%AA%B8%E0%AA%BE%E0%AA%AE%E0%AA%97%E0%AB%8D%E0%AA%B0%E0%AB%80&amp;diff=75776&amp;oldid=prev"/>
		<updated>2024-07-06T03:08:12Z</updated>

		<summary type="html">&lt;p&gt;+૧&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:08, 6 July 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{center|(આ ગ્રંથમાં જેનો ઓછો-વત્તો આધાર લેવામાં આવ્યો છે તે સામગ્રીનો જ અહીં નિર્દેશ કરવામાં આવ્યો છે. ક્રમ ગ્રંથ કે સામયિકના નામનો રાખ્યો છે.)}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{center|(આ ગ્રંથમાં જેનો ઓછો-વત્તો આધાર લેવામાં આવ્યો છે તે સામગ્રીનો જ અહીં નિર્દેશ કરવામાં આવ્યો છે. ક્રમ ગ્રંથ કે સામયિકના નામનો રાખ્યો છે.)}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;poem&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;અભિનવનો રસવિચાર અને બીજા લેખો, નગીનદાસ પારેખ, પ્રકા.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;અભિનવનો રસવિચાર અને બીજા લેખો, નગીનદાસ પારેખ, પ્રકા.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;ગૂર્જર ગ્રંથરત્ન કાર્યાલય, અમદાવાદ, સુધારેલી બી.આ. ૧૯૭૮.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;ગૂર્જર ગ્રંથરત્ન કાર્યાલય, અમદાવાદ, સુધારેલી બી.આ. ૧૯૭૮.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l30&quot;&gt;Line 30:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Śāntarasa and Abhinavagupta’s Philosophy of Aesthetics, J. L. Massion, M. V. Patwardhan, Pub. Bhandarker Oriental Research Institute, Poona, 1969.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Śāntarasa and Abhinavagupta’s Philosophy of Aesthetics, J. L. Massion, M. V. Patwardhan, Pub. Bhandarker Oriental Research Institute, Poona, 1969.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;સંસ્કૃત કાવ્યશાસ્ત્રમાં વક્રોક્તિવિચાર, રાજેન્દ્ર નાણાવટી, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બૉર્ડ, અમદાવાદ, ૧૯૮૯,&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;સંસ્કૃત કાવ્યશાસ્ત્રમાં વક્રોક્તિવિચાર, રાજેન્દ્ર નાણાવટી, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બૉર્ડ, અમદાવાદ, ૧૯૮૯,&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;सौन्दर्यतत्त्व और काव्यसिद्धांत. सुरेन्द्र बारलिगे, प्रका. नेशनल पब्लिशिंग हाउस, दिल्ली, 1963.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;सौन्दर्यतत्त्व और काव्यसिद्धांत. सुरेन्द्र बारलिगे, प्रका. नेशनल पब्लिशिंग हाउस, दिल्ली, 1963.&amp;lt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/poem&lt;/ins&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;hr&lt;/del&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{reflist}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{HeaderNav&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{HeaderNav&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|previous =  [[સંસ્કૃત કાવ્યશાસ્ત્રની આધુનિક કૃતિવિવેચનમાં પ્રસ્તુતતા/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;સંસ્કૃત કાવ્યશાસ્ત્રની મર્યાદા&lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;સંસ્કૃત કાવ્યશાસ્ત્રની મર્યાદા&lt;/del&gt;]]  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|previous =  [[સંસ્કૃત કાવ્યશાસ્ત્રની આધુનિક કૃતિવિવેચનમાં પ્રસ્તુતતા/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;‘પ્રસાદજીની બેચેની’ (સુન્દરમ્‌)&lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;‘પ્રસાદજીની બેચેની’ (સુન્દરમ્‌ની વાર્તા) : રસશાસ્ત્રીય વિશ્લેષણ&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|next =  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[સંસ્કૃત કાવ્યશાસ્ત્રની આધુનિક કૃતિવિવેચનમાં પ્રસ્તુતતા/વિશિષ્ટ અને વ્યંજિત અનુભાવોનું કાવ્ય|વિશિષ્ટ અને વ્યંજિત અનુભાવોનું કાવ્ય (રાવજી પટેલકૃત ‘એક બપોરે’)]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|next =   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Meghdhanu</name></author>
	</entry>
	<entry>
		<id>https://wiki.ekatrafoundation.org/index.php?title=%E0%AA%B8%E0%AA%82%E0%AA%B8%E0%AB%8D%E0%AA%95%E0%AB%83%E0%AA%A4_%E0%AA%95%E0%AA%BE%E0%AA%B5%E0%AB%8D%E0%AA%AF%E0%AA%B6%E0%AA%BE%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%8D%E0%AA%B0%E0%AA%A8%E0%AB%80_%E0%AA%86%E0%AA%A7%E0%AB%81%E0%AA%A8%E0%AA%BF%E0%AA%95_%E0%AA%95%E0%AB%83%E0%AA%A4%E0%AA%BF%E0%AA%B5%E0%AA%BF%E0%AA%B5%E0%AB%87%E0%AA%9A%E0%AA%A8%E0%AA%AE%E0%AA%BE%E0%AA%82_%E0%AA%AA%E0%AB%8D%E0%AA%B0%E0%AA%B8%E0%AB%8D%E0%AA%A4%E0%AB%81%E0%AA%A4%E0%AA%A4%E0%AA%BE/%E0%AA%86%E0%AA%A7%E0%AA%BE%E0%AA%B0%E0%AA%B8%E0%AA%BE%E0%AA%AE%E0%AA%97%E0%AB%8D%E0%AA%B0%E0%AB%80&amp;diff=75775&amp;oldid=prev</id>
		<title>Meghdhanu: Created page with &quot;{{SetTitle}} {{center|&lt;big&gt;&#039;&#039;&#039;આધારસામગ્રી&#039;&#039;&#039;&lt;/big&gt;}}  {{center|(આ ગ્રંથમાં જેનો ઓછો-વત્તો આધાર લેવામાં આવ્યો છે તે સામગ્રીનો જ અહીં નિર્દેશ કરવામાં આવ્યો છે. ક્રમ ગ્રંથ કે સામયિકના નામનો રાખ્યો છે.)}} અભિનવનો રસવિ...&quot;</title>
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		<updated>2024-07-06T03:07:25Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{SetTitle}} {{center|&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;આધારસામગ્રી&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;}}  {{center|(આ ગ્રંથમાં જેનો ઓછો-વત્તો આધાર લેવામાં આવ્યો છે તે સામગ્રીનો જ અહીં નિર્દેશ કરવામાં આવ્યો છે. ક્રમ ગ્રંથ કે સામયિકના નામનો રાખ્યો છે.)}} અભિનવનો રસવિ...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{SetTitle}}&lt;br /&gt;
{{center|&amp;lt;big&amp;gt;&amp;#039;&amp;#039;&amp;#039;આધારસામગ્રી&amp;#039;&amp;#039;&amp;#039;&amp;lt;/big&amp;gt;}}&lt;br /&gt;
&lt;br /&gt;
{{center|(આ ગ્રંથમાં જેનો ઓછો-વત્તો આધાર લેવામાં આવ્યો છે તે સામગ્રીનો જ અહીં નિર્દેશ કરવામાં આવ્યો છે. ક્રમ ગ્રંથ કે સામયિકના નામનો રાખ્યો છે.)}}&lt;br /&gt;
અભિનવનો રસવિચાર અને બીજા લેખો, નગીનદાસ પારેખ, પ્રકા.&lt;br /&gt;
ગૂર્જર ગ્રંથરત્ન કાર્યાલય, અમદાવાદ, સુધારેલી બી.આ. ૧૯૭૮.&lt;br /&gt;
East West Poetics at Work, Ed. C. D. Narasimhaiyah, Pub. Sahitya Akademi, New Delhi, 1994.&lt;br /&gt;
(हिन्दी) अभिनवभारती (1, 2 और 6 अध्याय) (अनुवाद अने व्याख्या सहित), आचार्य विश्वेश्वर, प्रका. हिन्दी विभाग, दिल्ली विश्वविद्यालय, दिल्ली, 1960.&lt;br /&gt;
કાવ્યકૌતુક, હરિવલ્લભ ભાયાણી, પકા, શ્રીમતી નાથીબાઈ દામોદર ઠાકરસી મહિલા વિદ્યાપીઠ, મુંબઈ, ૧૯૮૭.&lt;br /&gt;
કાવ્યજિજ્ઞાસા, અતુલચન્દ્ર ગુપ્ત, અનુ. નગીનદાસ પારેખ, પ્રકા. વોરા, મુંબઈ, ૧૯૬૦.&lt;br /&gt;
કાવ્યતત્ત્વવિચાર, આનંદશંકર ધ્રુવ, પ્રકા, ગૂર્જર ગ્રંથરત્ન કાર્યાલય, અમદાવાદ, ૧૯૪૭.&lt;br /&gt;
કાવ્યપ્રકાશ : મમ્મટનો કાવ્યવિચાર, નગીનદાસ પારેખ, ગુજરાતી સાહિત્ય પરિષદ, અમદાવાદ, ૧૯૮૭.&lt;br /&gt;
કાવ્યમાં શબ્દ, હરિવલ્લભ ભાયાણી, આર. આર. શેઠની કંપની, મુંબઈ-અમદાવાદ, ૧૯૬૮.&lt;br /&gt;
કાવ્યવિચાર, સુરેન્દ્રનાથ દાસગુપ્ત, અનુ, નગીનદાસ પારેખ, પ્રકા. ગુજરાતી સાહિત્ય પરિષદ, મુંબઈ, ૧૯૪૪.&lt;br /&gt;
Kāvyānuśāsana of Acharya Hemachandra, Rasiklal C. Parikh, Pub. Śri Mahāvira Jain Vidyalaya, Bombay, 1964.&lt;br /&gt;
કુંતકનો વક્રોક્તિવિચાર, રમેશ મ. શુક્લ, પ્ર. પોતે, સુરત, ૧૯૭૮.&lt;br /&gt;
आनन्दवर्धनाचार्यविरचित) ध्वन्यालोक (अभिननवगुप्तविरचित ‘लोचन’ तथा सटिप्पण ‘प्रकाश’ हिन्दी व्याख्या सहित), आचार्य जगन्नाथ पाठक, प्रका. चौखम्बा विद्याभवन, वाराणसी, 1965.&lt;br /&gt;
ધ્વન્યાલોક : આનન્દવર્ધનનો ધ્વનિવિચાર, નગીનદાસ પારેખ, પ્રકા. ગુજરાતી સાહિત્ય પરિષદ, અમદાવાદ, ૧૯૮૧.&lt;br /&gt;
Number of Rasas, V. Raghavan, Pub. Adyar Library, Madras, ૧૯૬૭.&lt;br /&gt;
પરબ, સપ્ટે. ૧૯૬૦ - ‘રસસિદ્ધાંતની હાસ્યરસ પરત્વે ન્યૂનતા’, રામપ્રસાદ બક્ષી; જૂન ૧૯૬૧ – ‘કાવ્યસૃષ્ટિ’નું આક્ષેપ્ય પાત્ર’, જયંત કોઠારી.&lt;br /&gt;
પરિશીલન, વિષ્ણુપ્રસાદ ત્રિવેદી, ગાંડીવ સાહિત્ય મંદિર, સૂરત-મુંબઈ, ૧૯૪૯.&lt;br /&gt;
ભારતીય સાહિત્યવિચારમંજૂષા ખંડ ૧, સંપા. રમેશ સુ. બેટાઈ, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બૉર્ડ, અમદાવાદ, ૧૯૭૫.&lt;br /&gt;
भारतीय साहित्यशास्त्र, गणेश त्र्यंबक देशपांडे, प्रका. पोप्युलर बुक डेपो, बंबई, 1960.&lt;br /&gt;
ભારતીય સાહિત્યશાસ્ત્રની વિચારપરંપરાઓ, તપસ્વી નાન્દી, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બોર્ડ, અમદાવાદ, ૧૯૭૨.&lt;br /&gt;
રચના અને સંરચના, હરિવલ્લભ ભાયાણી, આર. આર. શેઠની કંપની, મુંબઈ - અમદાવાદ, ૧૯૮૦.&lt;br /&gt;
Vakrokti-Jivita of Kuntaka, K. Krisnamoorthy, Pub. Karnatak University, Dharwad, ૧૯૭૭.&lt;br /&gt;
The Vakroktijivitam, Ed. Sushilkumar De, Pub. Firma K. L. Mukhopadyaya, Calacutta, ૧૯૬૧.&lt;br /&gt;
વક્રોક્તિજીવિત : કુંતકનો વક્રોક્તિવિચાર, નગીનદાસ પારેખ, પ્રકા. ગુજરાતી સાહિત્ય અકાદમી, ગાંધીનગર, ૧૯૮૮.&lt;br /&gt;
(हिन्दी) वक्रोक्तिजीवित, व्याख्याकार आचार्य विश्वेश्वर, प्रका. आत्माराम एण्ड संस, दिल्ली, 1955.&lt;br /&gt;
Śāntarasa and Abhinavagupta’s Philosophy of Aesthetics, J. L. Massion, M. V. Patwardhan, Pub. Bhandarker Oriental Research Institute, Poona, 1969.&lt;br /&gt;
સંસ્કૃત કાવ્યશાસ્ત્રમાં વક્રોક્તિવિચાર, રાજેન્દ્ર નાણાવટી, પ્રકા. યુનિવર્સિટી ગ્રંથનિર્માણ બૉર્ડ, અમદાવાદ, ૧૯૮૯,&lt;br /&gt;
सौन्दर्यतत्त्व और काव्यसिद्धांत. सुरेन्द्र बारलिगे, प्रका. नेशनल पब्लिशिंग हाउस, दिल्ली, 1963.&lt;br /&gt;
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		<author><name>Meghdhanu</name></author>
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