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	<title>Critical Discourse in Gujarati/Detailed Contents - Revision history</title>
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	<updated>2026-05-30T23:02:00Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://wiki.ekatrafoundation.org/index.php?title=Critical_Discourse_in_Gujarati/Detailed_Contents&amp;diff=68386&amp;oldid=prev</id>
		<title>Atulraval at 18:31, 9 January 2024</title>
		<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=Critical_Discourse_in_Gujarati/Detailed_Contents&amp;diff=68386&amp;oldid=prev"/>
		<updated>2024-01-09T18:31:24Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:31, 9 January 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{SetTitle}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Heading| Detailed Contents of the book  |  }}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Detailed Contents of the book, Critical Discourse in Gujarati.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dedication Page: Book Dedicated to Prof. Avadhesh Kumar Singh.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dedication Page: Book Dedicated to Prof. Avadhesh Kumar Singh.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Atulraval</name></author>
	</entry>
	<entry>
		<id>https://wiki.ekatrafoundation.org/index.php?title=Critical_Discourse_in_Gujarati/Detailed_Contents&amp;diff=68385&amp;oldid=prev</id>
		<title>Atulraval: Created page with &quot;{{Poem2Open}} Detailed Contents of the book, Critical Discourse in Gujarati.  Dedication Page: Book Dedicated to Prof. Avadhesh Kumar Singh.   &#039;&#039;&#039;INTRODUCTION&#039;&#039;&#039;: Critical Discourse in Gujarati: A Vikalpa Vachana, by Sitanshu Yashaschandra. &lt;br&gt;    &lt;center&gt;  &#039;&#039;&#039;*  *  *&#039;&#039;&#039; &lt;/center&gt;&lt;br&gt;  &#039;&#039;&#039;CHAPTER 1&#039;&#039;&#039;/ Ka. ( Sections Ka. 1 to Ka.  5.) * Beginnings -- Real contra Colonial : Gujarati Critical Discourse from 12th to 18th cent. CE.  &lt;br&gt; &#039;&#039;&#039;Ka 1. Bhalan ( 15th century). Exc...&quot;</title>
		<link rel="alternate" type="text/html" href="https://wiki.ekatrafoundation.org/index.php?title=Critical_Discourse_in_Gujarati/Detailed_Contents&amp;diff=68385&amp;oldid=prev"/>
		<updated>2024-01-09T18:27:39Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{Poem2Open}} Detailed Contents of the book, Critical Discourse in Gujarati.  Dedication Page: Book Dedicated to Prof. Avadhesh Kumar Singh.   &amp;#039;&amp;#039;&amp;#039;INTRODUCTION&amp;#039;&amp;#039;&amp;#039;: Critical Discourse in Gujarati: A Vikalpa Vachana, by Sitanshu Yashaschandra. &amp;lt;br&amp;gt;    &amp;lt;center&amp;gt;  &amp;#039;&amp;#039;&amp;#039;*  *  *&amp;#039;&amp;#039;&amp;#039; &amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;  &amp;#039;&amp;#039;&amp;#039;CHAPTER 1&amp;#039;&amp;#039;&amp;#039;/ Ka. ( Sections Ka. 1 to Ka.  5.) * Beginnings -- Real contra Colonial : Gujarati Critical Discourse from 12th to 18th cent. CE.  &amp;lt;br&amp;gt; &amp;#039;&amp;#039;&amp;#039;Ka 1. Bhalan ( 15th century). Exc...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Poem2Open}}&lt;br /&gt;
Detailed Contents of the book, Critical Discourse in Gujarati.&lt;br /&gt;
&lt;br /&gt;
Dedication Page: Book Dedicated to Prof. Avadhesh Kumar Singh. &lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;INTRODUCTION&amp;#039;&amp;#039;&amp;#039;: Critical Discourse in Gujarati: A Vikalpa Vachana, by Sitanshu Yashaschandra. &amp;lt;br&amp;gt;&lt;br /&gt;
  &lt;br /&gt;
&amp;lt;center&amp;gt;  &amp;#039;&amp;#039;&amp;#039;*  *  *&amp;#039;&amp;#039;&amp;#039; &amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;CHAPTER 1&amp;#039;&amp;#039;&amp;#039;/ Ka. ( Sections Ka. 1 to Ka.  5.)&lt;br /&gt;
* Beginnings -- Real contra Colonial : Gujarati Critical Discourse from 12th to 18th cent. CE. &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Ka 1. Bhalan ( 15th century). Excerpts from his Critical Discourse in verse.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* I From Nalakhyan.&lt;br /&gt;
* ii From Kadambari.&lt;br /&gt;
* iii From Chandi Akhyan. &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Ka  2:  Mandana Bandharo (16th Century). Excerpts from his Critical Discourse in verse.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* From Prabodh Batrisi.&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Ka 3: &amp;#039;&amp;#039;&amp;#039;Akho Sonaro (16th/ 17th Century).  Excerpts from his Critical Discourse in verse, see Introduction.&amp;#039;&amp;#039;&amp;#039; &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Ka 4: Mana-Bhatt Premanand (17th century). Excerpts from his Critical Discourse in verse.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
i:  From Shamalashah-no Moto Vivah. [ Longer Narrative Poem on Marriage of [Narasimha Maheta’s son, Shamalashah].&lt;br /&gt;
ii: From Shamalashah-no Moto Vivah.&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Ka 5 : Shamal Bhatt. (18th Century.) Excerpts from his Critical Discourse in verse.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
i: From: Chandra Chandravatini Varata.&lt;br /&gt;
ii: From: Nanadabatrisi.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;  &amp;#039;&amp;#039;&amp;#039;*  *  *&amp;#039;&amp;#039;&amp;#039; &amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;CHAPTER 2/ Kha. (Sections Kha. 1 to Kha. 3.)&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
i : Pratham Vivarta / First Variation  (1820 – 1915).&lt;br /&gt;
ii : Para-bodha/Sva-bodha Kal.  &lt;br /&gt;
iii : Period of Alien Cognition / Indigenous Cognition.&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Part I. Sudharak Yug / Times of the Reformers. (1820 -1875).&amp;#039;&amp;#039;&amp;#039; &lt;br /&gt;
Sections Kha 1 to Kha 3.&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Kha 1: Dalpatram Dahtabhai Travadi (Dalapat).&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
i : From ‘Deshi Bhasha Prayojan’ ‘Purpose of the Native Language’.&lt;br /&gt;
ii : From his Preface to Alamkaradarsh.&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Kha 2: Narmadashankar Dave (Narmad).&amp;#039;&amp;#039;&amp;#039; &lt;br /&gt;
From His essay “Kavi ane Kavita.’ The Poet and Poetry.&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Kh 3: Navalram Pandya&lt;br /&gt;
i: From ‘Musings on Poetry’.&lt;br /&gt;
ii: From ‘One Language in Hindustan’ (1871).&lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;  &amp;#039;&amp;#039;&amp;#039;*  *  *&amp;#039;&amp;#039;&amp;#039; &amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;CHAPTER 3/ Ga.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Pratham Vivarta / First Variation. (1820 -1915).&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Para-bodha/Sva-bodha Kal. – Period of Alien Cognition / Indigenous Cognition.&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Part II.  Pandit Yug/ Era of the Erudite. (1875 -1915).&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Sections Ga 1 to 7.&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Ga 1. Anandashankar Dhruv&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
i: Poetry: A (Playful) Part of Ātman.&lt;br /&gt;
ii: Literature and the Nation &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Ga 2: Govardhanram Tripathi.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Classical Poets of Gujarat.&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Ga 3: Manilal Nabhubhai Dvivedi.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Literature.&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Ga 4: Ramanbhai Nilkanth.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Svanubhava Rasik and Sarvanubhava Rasik : The Two Worlds of  Poetry&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Ga 5: Narasimharao Divetiya.&amp;#039;&amp;#039;&amp;#039; &lt;br /&gt;
Art and Turth: Reflection on Aesthetics &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Ga 6: Nanalal Kavi.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Gujarati poetry and Musicality. &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Ga 7:  Balavantaray Thakor (1869 -1952)&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Beyond the Lyric&lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;  &amp;#039;&amp;#039;&amp;#039;*  *  *&amp;#039;&amp;#039;&amp;#039; &amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;CHAPTER 4 / Gha. (Sections Gha 1 to Gha 8)&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Dvitiya Vivarta / Second Variation : 1915 – 1955.&lt;br /&gt;
Hind Svaraj Kal / Period of India Engendering its Freedom.                                     &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Gha 1:  Mahatma Gandhi.&amp;#039;&amp;#039;&amp;#039; &lt;br /&gt;
i :Speech at Gujarati Sahitya Parishad. Ahmadabad, October 31,1936.&lt;br /&gt;
ii :Foreword by M K Gandhi to K M Munshi’s Gujarat and Its Literature. &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Gh 2: Kaniayalal M. Munshi.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Gujarat: The Land and the People.                 &lt;br /&gt;
&amp;lt;br&amp;gt;                       &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Gha 3 : Ramnarayan V. Pathak&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Literature and Life&lt;br /&gt;
&amp;lt;br&amp;gt; &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Gha 4:  ‘Sundaram’ (Tribhuvandas Luhar).&amp;#039;&amp;#039;&amp;#039;                                                          &lt;br /&gt;
Perspectives in Literary Criticiscism  &lt;br /&gt;
&amp;lt;br&amp;gt;                                                 &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Gha 5: Umashankar Joshi.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Style.&lt;br /&gt;
&amp;lt;br&amp;gt; &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Gha 6: Jhaverchand Meghani.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
The Cultural Forces that Constituted Folk Literature of Gujarat.&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Gha 7: Ramprasad Bakshi.&amp;#039;&amp;#039;&amp;#039; &lt;br /&gt;
Spirituality and Literature&lt;br /&gt;
&amp;lt;br&amp;gt; &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Gha 8: Vishnuprasad Trivedi&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
The Devotion to Beauty                                                                       &lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;  &amp;#039;&amp;#039;&amp;#039;*  *  *&amp;#039;&amp;#039;&amp;#039; &amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;CHAPTER 5. Cha. ( Sections Cha 1 to Cha 9)&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Trutiya Vivarta / Third Variation : 1955 onwards&lt;br /&gt;
Vyapana Shakti Kal. / Time of Energies for Enlargement.&lt;br /&gt;
&amp;lt;br&amp;gt;  &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Cha 1. Suresh Joshi.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Our Literary Criticism.                                                               &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Cha 2. Niranjan Bhagat.&lt;br /&gt;
Dharma, Science and Poetry&lt;br /&gt;
&amp;lt;br&amp;gt;                                                                  &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Cha 3 Harivallabh Bhayani.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Stylistics Approaches - Western and Indian&lt;br /&gt;
&amp;lt;br&amp;gt;                                                                                 &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Cha 4. Shirish Panchal.&amp;#039;&amp;#039;&amp;#039;                                                          &lt;br /&gt;
Crisis in Criticism. &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Cha 5. Chandrakant Topiwala.&amp;#039;&amp;#039;&amp;#039;                                                                       &lt;br /&gt;
The Consummate Indian Rasa Theory. Chandrakant Topiwala&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Cha 6. Himanshi Shelat.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Feminism in Gujarati literary Fiction (1975 - 1999)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Cha 7. Babu Suthar.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Locating a Regional Language in a Globalization Process.&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Cha 8. Bhagvandas Patel.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
The Direction of My Research.&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Cha 9. Kanti Malsatar.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Some Views on Dalit Literature&lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;  &amp;#039;&amp;#039;&amp;#039;*  *  *&amp;#039;&amp;#039;&amp;#039; &amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Editor’s Note on APPENDICE 1, 2 3. / S.Y.&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Appendix 1.&amp;#039;&amp;#039;&amp;#039; A Vision of the Ancient Vallabhinagar for the Present&lt;br /&gt;
Harivallabh Bhayani&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Appendix 2.&amp;#039;&amp;#039;&amp;#039; Mahamaatya Vastupal and His Literary Circle.&lt;br /&gt;
Bhogilal Sandesara.&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Appendix 3.&amp;#039;&amp;#039;&amp;#039; Some Chronological Markers in History of Gujarati Literary Culture.&lt;br /&gt;
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		<author><name>Atulraval</name></author>
	</entry>
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