કથાલોક/પ્રારંભિક: Difference between revisions

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<br><br><br><br>
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{{Poem2Open}}
{{Block center|<poem>{{gap}}If they had read my Education Sentimental this sort of thing  
If they had read my Education Sentimental this sort of thing (The War of 1870) would not have happened.
(The War of 1870) would not have happened.
{{Poem2Close}}
{{right|'''–Gustave Flaubert'''}}</poem>}}
{{right|'''–Gustave Flaubert'''}}


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{{Block center|<poem>The novel makes destiny to measure. In this way man competes with creation and, provisionally, conquers death.<br>
{{Block center|<poem>{{gap}}The novel makes destiny to measure. In this way man competes  
(The Rebel)<br>
with creation and, provisionally, conquers death.
(The Rebel)
{{right|'''–Albert Camus'''}}</poem>}}
{{right|'''–Albert Camus'''}}</poem>}}




 
<poem><center>
<big><big>'''અશોક પ્રકાશન'''</big></big>
<big><big>'''અશોક પ્રકાશન'''</big></big>
નવભારત સાહિત્ય મંદિર
નવભારત સાહિત્ય મંદિર
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<poem>
<poem>
'''KATHALOK'''
'''KATHALOK'''
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</poem>


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{{Poem2Open}}
Welcome O Life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.
{{Poem2Close}}
{{right|'''–James Joyce'''}}<br>
{{right|''(A Portrait of the Artist as Young Man)''}}<br>
{{center|⬤}}
{{Poem2Open}}
One ought only to write when one leaves a piece of one’s flesh in the ink-pot each time one dips one’s pen.
{{Poem2Close}}
{{right|'''–Leo Tolstoi'''}}<br>
{{right|''(Talk With Tolstoi)''}}<br>
{{center|⬤}}
{{Poem2Open}}
I like criticism to be as serious as possible in content, but as personal and idiosyncratic in style as possible –thus reversing the usual academic recipe of the trivial point and the heavy style.
{{Poem2Close}}
{{right|'''–Alfred Kazin'''}}<br>
{{right|''(Contemporaries)''}}
 
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