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દક્ષિણાયન/દક્ષિણાયન: Difference between revisions
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સંક્રીડ હર્ષોં મલયસ્થલીમાં, | સંક્રીડ હર્ષોં મલયસ્થલીમાં, | ||
कालिदास, रघुवंश: सर्ग ६: ५७-६४</poem>}} | कालिदास, रघुवंश: सर्ग ६: ५७-६४</poem>}} | ||
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{{Poem2Open}} | {{Poem2Open}} | ||
Hindu art seems to be totally unintellectualised without unity and without any need for it, but just for this reason it is more expressive, where it tries to express the irrational than anything or anyone else. Hindu art alone has perhaps succeeded in manifesting invisible things in the visible world. One single dancing Shiva embodies more of the essence of divinity than a whole army of Olympians. | Hindu art seems to be totally unintellectualised without unity and without any need for it, but just for this reason it is more expressive, where it tries to express the irrational than anything or anyone else. Hindu art alone has perhaps succeeded in manifesting invisible things in the visible world. One single dancing Shiva embodies more of the essence of divinity than a whole army of Olympians. | ||
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{{right|'''કાઉન્ટ હરમાન કેસરલિંગ'''}}<br> | {{right|'''કાઉન્ટ હરમાન કેસરલિંગ'''}}<br> | ||
[ટ્રાવેલ ડાયરી ઑવ અ ફિલોસૉફર: પૃ. ૯૯] | [ટ્રાવેલ ડાયરી ઑવ અ ફિલોસૉફર: પૃ. ૯૯]<br> | ||
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{{HeaderNav2 | {{HeaderNav2 | ||