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'''Ka 1. Bhalan ( 15th century). Excerpts from his Critical Discourse in verse.'''
'''Ka 1. Bhalan ( 15th century). Excerpts from his Critical Discourse in verse.'''
* i. From Nalakhyan.
* i  From Nalakhyan.
* ii From Kadambari.
* ii From Kadambari.
* iii From Chandi Akhyan.  
* iii From Chandi Akhyan.  
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Ka 3: '''Akho Sonaro (16th/ 17th Century).  Excerpts from his Critical Discourse in verse, see Introduction.'''  
Ka 3: '''Akho Sonaro (16th/ 17th Century).  Excerpts from his Critical Discourse in verse, see Introduction.'''  
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<br>
Ka 4: Mana-Bhatt Premanand (17th century). Excerpts from his Critical Discourse in verse.'''
Ka 4: Mana-Bhatt Premanand (17th century). Excerpts from his Critical Discourse in verse.'''
'''
'''
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ii : Para-bodha/Sva-bodha Kal.   
ii : Para-bodha/Sva-bodha Kal.   
iii : Period of Alien Cognition / Indigenous Cognition.
iii : Period of Alien Cognition / Indigenous Cognition.
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<center>  '''*''' </center>
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'''Part I. Sudharak Yug / Times of the Reformers. (1820 -1875).'''  
'''Part I. Sudharak Yug / Times of the Reformers. (1820 -1875).'''  
Sections Kha 1 to Kha 3.
Sections Kha 1 to Kha 3.
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<center>  '''*''' </center>
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<br>
'''Kha 1: Dalpatram Dahtabhai Travadi (Dalapat).'''
'''Kha 1: Dalpatram Dahtabhai Travadi (Dalapat).'''
i : From ‘Deshi Bhasha Prayojan’ ‘Purpose of the Native Language’.
i : From ‘Deshi Bhasha Prayojan’ ‘Purpose of the Native Language’.
ii : From his Preface to Alamkaradarsh.
ii : From his Preface to Alamkaradarsh.
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<center>  '''*''' </center>
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'''Kha 2: Narmadashankar Dave (Narmad).'''  
'''Kha 2: Narmadashankar Dave (Narmad).'''  
From His essay “Kavi ane Kavita.’ The Poet and Poetry.
From His essay “Kavi ane Kavita.’ The Poet and Poetry.
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<center>  '''*''' </center>
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<br>
Kh 3: Navalram Pandya
Kh 3: Navalram Pandya
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'''CHAPTER 3/ Ga.'''
'''CHAPTER 3/ Ga.'''
Pratham Vivarta / First Variation. (1820 -1915).
'''Pratham Vivarta / First Variation. (1820 -1915).'''
Para-bodha/Sva-bodha Kal. – Period of Alien Cognition / Indigenous Cognition.
Para-bodha/Sva-bodha Kal. – Period of Alien Cognition / Indigenous Cognition.
<br>
<br>
<center>  '''*''' </center>
'''Part II.  Pandit Yug/ Era of the Erudite. (1875 -1915).'''
<br>
Part II.  Pandit Yug/ Era of the Erudite. (1875 -1915).
Sections Ga 1 to 7.
Sections Ga 1 to 7.
<br>
<br>
<center>  '''*''' </center>
'''Ga 1. Anandashankar Dhruv'''
<br>
Ga 1. Anandashankar Dhruv
i: Poetry: A (Playful) Part of Ātman.
i: Poetry: A (Playful) Part of Ātman.
ii: Literature and the Nation  
ii: Literature and the Nation  
<br>
<br>
<center>  '''*''' </center>
'''Ga 2: Govardhanram Tripathi.'''
Classical Poets of Gujarat.
<br>
<br>
Ga 2: Govardhanram Tripathi.
'''Ga 3: Manilal Nabhubhai Dvivedi.'''
Classical Poets of Gujarat.
                             
                                  .
Ga 3: Manilal Nabhubhai Dvivedi.
Literature.
Literature.
 
<br>
Ga 4: Ramanbhai Nilkanth.
'''Ga 4: Ramanbhai Nilkanth.'''
Svanubhava Rasik and Sarvanubhava Rasik : The Two Worlds of  Poetry
Svanubhava Rasik and Sarvanubhava Rasik : The Two Worlds of  Poetry
 
<br>
Ga 5: Narasimharao Divetiya.  
'''Ga 5: Narasimharao Divetiya.'''
Art and Turth: Reflection on Aesthetics  
Art and Turth: Reflection on Aesthetics  
 
<br>
Ga 6: Nanalal Kavi.
'''Ga 6: Nanalal Kavi.'''
Gujarati poetry and Musicality.  
Gujarati poetry and Musicality.  
 
<br>
Ga 7:  Balavantaray Thakor (1869 -1952)
'''Ga 7:  Balavantaray Thakor (1869 -1952)'''
Beyond the Lyric
Beyond the Lyric


<center>  '''*  *  *''' </center><br>
<center>  '''*  *  *''' </center><br>


CHAPTER 4 / Gha. (Sections Gha 1 to Gha 8)
'''CHAPTER 4 / Gha. (Sections Gha 1 to Gha 8)'''
Dvitiya Vivarta / Second Variation : 1915 – 1955.
Dvitiya Vivarta / Second Variation : 1915 – 1955.
Hind Svaraj Kal / Period of India Engendering its Freedom.                                     
Hind Svaraj Kal / Period of India Engendering its Freedom.                                     
*
<br>
Gha 1:  Mahatma Gandhi.  
'''Gha 1:  Mahatma Gandhi.'''
 
i :Speech at Gujarati Sahitya Parishad. Ahmadabad, October 31,1936.
i :Speech at Gujarati Sahitya Parishad. Ahmadabad, October 31,1936.
ii :Foreword by M K Gandhi to K M Munshi’s Gujarat and Its Literature.  
ii :Foreword by M K Gandhi to K M Munshi’s Gujarat and Its Literature.  
Gh 2: Kaniayalal M. Munshi.
<br>
'''Gh 2: Kaniayalal M. Munshi.'''
Gujarat: The Land and the People.                 
Gujarat: The Land and the People.                 
                       
<br>                     
Gha 3 : Ramnarayan V. Pathak
'''Gha 3 : Ramnarayan V. Pathak'''
Literature and Life
Literature and Life
Gha 4:  ‘Sundaram’ (Tribhuvandas Luhar).                                                           
<br>
Perspectives in Literary Criticiscism                                                
'''Gha 4:  ‘Sundaram’ (Tribhuvandas Luhar).'''                                                          
Gha 5: Umashankar Joshi.
Perspectives in Literary Criticiscism
<br>                                               
'''Gha 5: Umashankar Joshi.'''
Style.
Style.
Gha 6: Jhaverchand Meghani.
<br>
'''Gha 6: Jhaverchand Meghani.'''
The Cultural Forces that Constituted Folk Literature of Gujarat.
The Cultural Forces that Constituted Folk Literature of Gujarat.
Gha 7: Ramprasad Bakshi.  
'''Gha 7: Ramprasad Bakshi.'''
Spirituality and Literature
Spirituality and Literature
Gha 8: Vishnuprasad Trivedi
<br>
        The Devotion to Beauty                                                                       
'''Gha 8: Vishnuprasad Trivedi'''
**  
The Devotion to Beauty                                                                       
CHAPTER 5. Cha. ( Sections Cha 1 to Cha 9)
 
Trutiya Vivarta / Third Variation : 1955 onwards
<center>  '''*  * *''' </center><br>
Vyapana Shakti Kal. / Time of Energies for Enlargement.
 
  * 
'''CHAPTER 5. Cha. ( Sections Cha 1 to Cha 9)'''
  Cha 1. Suresh Joshi.
Trutiya Vivarta / Third Variation : 1955 onwards
Vyapana Shakti Kal. / Time of Energies for Enlargement.
<br> 
'''Cha 1. Suresh Joshi.'''
Our Literary Criticism.                                                               
Our Literary Criticism.                                                               
 
<br>
Cha 2. Niranjan Bhagat.
Cha 2. Niranjan Bhagat.
Dharma, Science and Poetry
Dharma, Science and Poetry
                                                                       
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Cha 3 Harivallabh Bhayani.
'''Cha 3 Harivallabh Bhayani.'''
Stylistics Approaches - Western and Indian
Stylistics Approaches - Western and Indian
                                                                               
<br>                                                                               
Cha 4. Shirish Panchal.                                                           
'''Cha 4. Shirish Panchal.'''                                                          
Crisis in Criticism.  
Crisis in Criticism.  
 
<br>
  Cha 5. Chandrakant Topiwala.                                                                       
'''Cha 5. Chandrakant Topiwala.'''                                                                        
The Consummate Indian Rasa Theory. Chandrakant Topiwala
The Consummate Indian Rasa Theory. Chandrakant Topiwala
 
<br>
Cha 6. Himanshi Shelat.
'''Cha 6. Himanshi Shelat.'''
Feminism in Gujarati literary Fiction (1975 - 1999)
Feminism in Gujarati literary Fiction (1975 - 1999)
Cha 7. Babu Suthar.
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'''Cha 7. Babu Suthar.'''
Locating a Regional Language in a Globalization Process.
Locating a Regional Language in a Globalization Process.
<br>
'''Cha 8. Bhagvandas Patel.'''
The Direction of My Research.
<br>
'''Cha 9. Kanti Malsatar.'''
Some Views on Dalit Literature


Cha 8. Bhagvandas Patel.
<center>  '''*  *  *''' </center><br>


The Direction of My Research.
Cha 9. Kanti Malsatar.
Some Views on Dalit Literature
* * *
Editor’s Note on APPENDICE 1, 2 3. / S.Y.
Editor’s Note on APPENDICE 1, 2 3. / S.Y.
Appendix 1. A Vision of the Ancient Vallabhinagar for the Present
'''Appendix 1.''' A Vision of the Ancient Vallabhinagar for the Present
                      Harivallabh Bhayani
Harivallabh Bhayani
Appendix 2. Mahamaatya Vastupal and His Literary Circle.
'''Appendix 2.''' Mahamaatya Vastupal and His Literary Circle.
                      Bhogilal Sandesara.
Bhogilal Sandesara.
Appendix 3. Some Chronological Markers in History of Gujarati Literary Culture.
'''Appendix 3.''' Some Chronological Markers in History of Gujarati Literary Culture.
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