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Dedication Page: Book Dedicated to Prof. Avadhesh Kumar Singh.  
Dedication Page: Book Dedicated to Prof. Avadhesh Kumar Singh.  
Peface. S.Y.


* *
INTRODUCTION: Critical Discourse in Gujarati: A Vikalpa Vachana.  
INTRODUCTION: Critical Discourse in Gujarati: A Vikalpa Vachana.
 
  Sitanshu Yashaschandra.  
  Sitanshu Yashaschandra.
  * * *
 
   
 
CHAPTER 1/ Ka. ( Sections Ka. 1 to Ka.  5.)
CHAPTER 1/ Ka. ( Sections Ka. 1 to Ka.  5.)
Beginnings -- Real contra Colonial : Gujarati Critical Discourse from 12th to 18th cent. CE.  
 
*
Beginnings -- Real contra Colonial : Gujarati Critical Discourse from 12th to 18th cent. CE.
 
Ka 1. Bhalan ( 15th century). Excerpts from his Critical Discourse in verse.
Ka 1. Bhalan ( 15th century). Excerpts from his Critical Discourse in verse.
* i.  From Nalakhyan.
 
* ii From Kadambari.
i.  From Nalakhyan.
* iii From Chandi Akhyan.  
 
* *
ii From Kadambari.
Ka 2:  Mandana Bandharo (16th Century). Excerpts from his Critical Discourse in verse.
 
* From Prabodh Batrisi.
iii From Chandi Akhyan.
* *
 
Ka 3: Akho Sonaro (16th/ 17th Century).  Excerpts from his Critical Discourse in verse, see Introduction.  
* *
 
Ka 2:  Mandana Bandharo (16th Century). Excerpts from his Critical Discourse in verse.
 
From Prabodh Batrisi.
 
 
Ka 3: Akho Sonaro (16th/ 17th Century).  Excerpts from his Critical Discourse in verse, see Introduction.
 
 
Ka 4: Mana-Bhatt Premanand (17th century). Excerpts from his Critical Discourse in verse.
Ka 4: Mana-Bhatt Premanand (17th century). Excerpts from his Critical Discourse in verse.
i:  From Shamalashah-no Moto Vivah. [ Longer Narrative Poem on Marriage of [Narasimha Maheta’s son, Shamalashah].
i:  From Shamalashah-no Moto Vivah. [ Longer Narrative Poem on Marriage of [Narasimha Maheta’s son, Shamalashah].
ii: From Shamalashah-no Moto Vivah.
ii: From Shamalashah-no Moto Vivah.


Ka 5 : Shamal Bhatt. (18th Century.) Excerpts from his Critical Discourse in verse.
 
Ka 5: Shamal Bhatt. (18th Century.) Excerpts from his Critical Discourse in verse.
 
i: From: Chandra Chandravatini Varata.
i: From: Chandra Chandravatini Varata.
ii: From: Nanadabatrisi.
ii: From: Nanadabatrisi.
* * *
 
 
CHAPTER 2/ Kha. (Sections Kha. 1 to Kha. 3.)
CHAPTER 2/ Kha. (Sections Kha. 1 to Kha. 3.)
Pratham Vivarta / First Variation  (1820 – 1915).
Pratham Vivarta / First Variation  (1820 – 1915).
Para-bodha/Sva-bodha Kal.
 
Para-bodha/Sva-bodha Kal.  
 
Period of Alien Cognition / Indigenous Cognition.
Period of Alien Cognition / Indigenous Cognition.
* *
 
Part I. Sudharak Yug / Times of the Reformers. (1820 -1875).  
 
Part I. Sudharak Yug / Times of the Reformers. (1820 -1875).
 
Sections Kha 1 to Kha 3.
Sections Kha 1 to Kha 3.
*
 
 
Kha 1: Dalpatram Dahtabhai Travadi (Dalapat).
Kha 1: Dalpatram Dahtabhai Travadi (Dalapat).
i : From ‘Deshi Bhasha Prayojan’ ‘Purpose of the Native Language’.
ii : From his Preface to Alamkaradarsh.


Kha 2: Narmadashankar Dave (Narmad).  
i: From ‘Deshi Bhasha Prayojan’ ‘Purpose of the Native Language’.
 
ii: From his Preface to Alamkaradarsh.
 
 
Kha 2: Narmadashankar Dave (Narmad).
 
From His essay “Kavi ane Kavita.’ The Poet and Poetry.
From His essay “Kavi ane Kavita.’ The Poet and Poetry.


Kh 3: Navalram Pandya
 
Kha 3: Navalram Pandya
 
i: From ‘Musings on Poetry’.
i: From ‘Musings on Poetry’.
ii: From ‘One Language in Hindustan’ (1871).
ii: From ‘One Language in Hindustan’ (1871).
                                                       
 
                             
                                                       
CHAPTER 3/ Ga.
 
CHAPTER 3/ Ga.
 
Pratham Vivarta / First Variation. (1820 -1915).
Pratham Vivarta / First Variation. (1820 -1915).
Para-bodha/Sva-bodha Kal. – Period of Alien Cognition / Indigenous Cognition.
Para-bodha/Sva-bodha Kal. – Period of Alien Cognition / Indigenous Cognition.
*
 
  Part II.  Pandit Yug/ Era of the Erudite. (1875 -1915).
   
 
Part II.  Pandit Yug/ Era of the Erudite. (1875 -1915).
 
Sections Ga 1 to 7.
Sections Ga 1 to 7.
*
 
 
Ga 1. Anandashankar Dhruv
Ga 1. Anandashankar Dhruv
i: Poetry: A (Playful) Part of Ātman.
i: Poetry: A (Playful) Part of Ātman.
ii: Literature and the Nation  
 
*
ii: Literature and the Nation
 
 
Ga 2: Govardhanram Tripathi.
Ga 2: Govardhanram Tripathi.
         
 
          Classical Poets of Gujarat.
Classical Poets of Gujarat.
                             
 
                                  .
 
Ga 3: Manilal Nabhubhai Dvivedi.
Ga 3: Manilal Nabhubhai Dvivedi.
            Literature.
 
Literature.
 


Ga 4: Ramanbhai Nilkanth.
Ga 4: Ramanbhai Nilkanth.
          Svanubhava Rasik and Sarvanubhava Rasik : The Two Worlds of  Poetry
 
Ga 5: Narasimharao Divetiya.  
Svanubhava Rasik and Sarvanubhava Rasik : The Two Worlds of Poetry
        Art and Turth: Reflection on Aesthetics  
 
   
 
Ga 5: Narasimharao Divetiya.
 
Art and Turth: Reflection on Aesthetics
 
 
Ga 6: Nanalal Kavi.
Ga 6: Nanalal Kavi.
        Gujarati poetry and Musicality.  
 
Gujarati poetry and Musicality.
 
 
Ga 7:  Balavantaray Thakor (1869 -1952)
Ga 7:  Balavantaray Thakor (1869 -1952)
        Beyond the Lyric
 
Beyond the Lyric
 
   
   
CHAPTER 4 / Gha. (Sections Gha 1 to Gha 8)
CHAPTER 4 / Gha. (Sections Gha 1 to Gha 8)
Dvitiya Vivarta / Second Variation : 1915 – 1955.
Hind Svaraj Kal / Period of India Engendering its Freedom.                                   
*
Gha 1:  Mahatma Gandhi.


i :Speech at Gujarati Sahitya Parishad. Ahmadabad, October 31,1936.
Dvitiya Vivarta / Second Variation : 1915 – 1955.
 
Hind Svaraj Kal / Period of India Engendering its Freedom.   
 
                             
 
Gha 1:  Mahatma Gandhi.
 
i: Speech at Gujarati Sahitya Parishad. Ahmadabad, October 31,1936.
 
ii: Foreword by M K Gandhi to K M Munshi’s Gujarat and Its Literature.
 
 
Gha 2: Kaniayalal M. Munshi.
 
Gujarat: The Land and the People.                               
 
   
   
ii :Foreword by M K Gandhi to K M Munshi’s Gujarat and Its Literature.
 
Gh 2: Kaniayalal M. Munshi.
Gha 3: Ramnarayan V. Pathak
Gujarat: The Land and the People.               
 
                       
Gha 3 : Ramnarayan V. Pathak
Literature and Life
Literature and Life
Gha 4: ‘Sundaram’ (Tribhuvandas Luhar).                                                        
 
Perspectives in Literary Criticiscism                                                
 
Gha 4: ‘Sundaram’ (Tribhuvandas Luhar).                                                        
 
Perspectives in Literary Criticiscism                                                
 
Gha 5: Umashankar Joshi.
Gha 5: Umashankar Joshi.
Style.
Style.
Gha 6: Jhaverchand Meghani.
Gha 6: Jhaverchand Meghani.
The Cultural Forces that Constituted Folk Literature of Gujarat.
The Cultural Forces that Constituted Folk Literature of Gujarat.
Gha 7: Ramprasad Bakshi.  
 
 
Gha 7: Ramprasad Bakshi.
 
Spirituality and Literature
Spirituality and Literature
Gha 8: Vishnuprasad Trivedi
Gha 8: Vishnuprasad Trivedi
        The Devotion to Beauty                                                                      
 
**
The Devotion to Beauty                                                                    
CHAPTER 5. Cha. ( Sections Cha 1 to Cha 9)
 
Trutiya Vivarta / Third Variation : 1955 onwards
Vyapana Shakti Kal. / Time of Energies for Enlargement.
 
   * 
CHAPTER 5. Cha. (Sections Cha 1 to Cha 9)
  Cha 1. Suresh Joshi.
 
Our Literary Criticism.                                                              
Trutiya Vivarta / Third Variation: 1955 onwards
 
Vyapana Shakti Kal. / Time of Energies for Enlargement.
 
    
 
Cha 1. Suresh Joshi.
 
Our Literary Criticism.                                                            
 


Cha 2. Niranjan Bhagat.
Cha 2. Niranjan Bhagat.
Dharma, Science and Poetry
 
                                                                       
Dharma, Science and Poetry
 
                                                                     
 
Cha 3 Harivallabh Bhayani.
Cha 3 Harivallabh Bhayani.
Stylistics Approaches - Western and Indian
Stylistics Approaches - Western and Indian
                                                                               
Cha 4. Shirish Panchal.                                                         
Crisis in Criticism.


  Cha 5. Chandrakant Topiwala.                                                                      
                                                                               
The Consummate Indian Rasa Theory. Chandrakant Topiwala
 
Cha 4. Shirish Panchal.                                                       
 
Crisis in Criticism.
 
 
Cha 5. Chandrakant Topiwala.                                                                    
 
The Consumate Indian Rasa Theory. Chnadrakant Topiwala
 


Cha 6. Himanshi Shelat.
Cha 6. Himanshi Shelat.
Feminism in Gujarati literary Fiction (1975 - 1999)
Feminism in Gujarati literary Fiction (1975 - 1999)
Cha 7. Babu Suthar.
Cha 7. Babu Suthar.
Locating a Regional Language in a Globalization Process.
Locating a Regional Language in a Globalization Process.


Cha 8. Bhagvandas Patel.
Cha 8. Bhagvandas Patel.


The Direction of My Research.
The Direction of My Research.


Cha 9. Kanti Malsatar.
Cha 9. Kanti Malsatar.
Some Views on Dalit Literature
Some Views on Dalit Literature
* * *
 
 
Editor’s Note on APPENDICE 1, 2 3. / S.Y.
Editor’s Note on APPENDICE 1, 2 3. / S.Y.
Appendix 1. A Vision of the Ancient Vallabhinagar for the Present
Appendix 1. A Vision of the Ancient Vallabhinagar for the Present
                       Harivallabh Bhayani
                       Harivallabh Bhayani
Appendix 2. Mahamaatya Vastupal and His Literary Circle.
Appendix 2. Mahamaatya Vastupal and His Literary Circle.
                       Bhogilal Sandesara.
                       Bhogilal Sandesara.
Appendix 3. Some Chronological Markers in History of Gujarati Literary Culture.
Appendix 3. Some Chronological Markers in History of Gujarati Literary Culture.
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