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Dedication Page: Book Dedicated to Prof. Avadhesh Kumar Singh. | Dedication Page: Book Dedicated to Prof. Avadhesh Kumar Singh. | ||
INTRODUCTION: Critical Discourse in Gujarati: A Vikalpa Vachana | '''INTRODUCTION''': Critical Discourse in Gujarati: A Vikalpa Vachana, by Sitanshu Yashaschandra. <br> | ||
<center> '''* * *''' </center><br> | |||
Ka 1. Bhalan ( 15th century). Excerpts from his Critical Discourse in verse. | '''CHAPTER 1'''/ Ka. ( Sections Ka. 1 to Ka. 5.) | ||
* Beginnings -- Real contra Colonial : Gujarati Critical Discourse from 12th to 18th cent. CE. | |||
<br> | |||
<center> '''*''' </center> | |||
<br> | |||
'''Ka 1. Bhalan ( 15th century). Excerpts from his Critical Discourse in verse.''' | |||
* i. From Nalakhyan. | |||
* ii From Kadambari. | |||
* iii From Chandi Akhyan. | |||
<br> | |||
'''Ka 2: Mandana Bandharo (16th Century). Excerpts from his Critical Discourse in verse.''' | |||
* From Prabodh Batrisi. | |||
<br> | |||
Ka 3: '''Akho Sonaro (16th/ 17th Century). Excerpts from his Critical Discourse in verse, see Introduction.''' | |||
<br> | |||
Ka 4: Mana-Bhatt Premanand (17th century). Excerpts from his Critical Discourse in verse.''' | |||
''' | |||
i: From Shamalashah-no Moto Vivah. [ Longer Narrative Poem on Marriage of [Narasimha Maheta’s son, Shamalashah]. | i: From Shamalashah-no Moto Vivah. [ Longer Narrative Poem on Marriage of [Narasimha Maheta’s son, Shamalashah]. | ||
ii: From Shamalashah-no Moto Vivah. | ii: From Shamalashah-no Moto Vivah. | ||
<br> | |||
'''Ka 5 : Shamal Bhatt. (18th Century.) Excerpts from his Critical Discourse in verse.''' | |||
Ka 5: Shamal Bhatt. (18th Century.) Excerpts from his Critical Discourse in verse. | |||
i: From: Chandra Chandravatini Varata. | i: From: Chandra Chandravatini Varata. | ||
ii: From: Nanadabatrisi. | ii: From: Nanadabatrisi. | ||
<center> '''* * *''' </center><br> | |||
'''CHAPTER 2/ Kha. (Sections Kha. 1 to Kha. 3.)''' | |||
i : Pratham Vivarta / First Variation (1820 – 1915). | |||
ii : Para-bodha/Sva-bodha Kal. | |||
iii : Period of Alien Cognition / Indigenous Cognition. | |||
<br> | |||
<center> '''*''' </center> | |||
<br> | |||
'''Part I. Sudharak Yug / Times of the Reformers. (1820 -1875).''' | |||
Sections Kha 1 to Kha 3. | Sections Kha 1 to Kha 3. | ||
<br> | |||
<center> '''*''' </center> | |||
<br> | |||
Kha 1: Dalpatram Dahtabhai Travadi (Dalapat). | '''Kha 1: Dalpatram Dahtabhai Travadi (Dalapat).''' | ||
i : From ‘Deshi Bhasha Prayojan’ ‘Purpose of the Native Language’. | |||
ii : From his Preface to Alamkaradarsh. | |||
<br> | |||
ii: From his Preface to Alamkaradarsh. | <center> '''*''' </center> | ||
<br> | |||
'''Kha 2: Narmadashankar Dave (Narmad).''' | |||
Kha 2: Narmadashankar Dave (Narmad). | |||
From His essay “Kavi ane Kavita.’ The Poet and Poetry. | From His essay “Kavi ane Kavita.’ The Poet and Poetry. | ||
<br> | |||
<center> '''*''' </center> | |||
<br> | |||
Kh 3: Navalram Pandya | |||
i: From ‘Musings on Poetry’. | i: From ‘Musings on Poetry’. | ||
ii: From ‘One Language in Hindustan’ (1871). | ii: From ‘One Language in Hindustan’ (1871). | ||
<center> '''* * *''' </center><br> | |||
'''CHAPTER 3/ Ga.''' | |||
Pratham Vivarta / First Variation. (1820 -1915). | Pratham Vivarta / First Variation. (1820 -1915). | ||
Para-bodha/Sva-bodha Kal. – Period of Alien Cognition / Indigenous Cognition. | Para-bodha/Sva-bodha Kal. – Period of Alien Cognition / Indigenous Cognition. | ||
<br> | |||
<center> '''*''' </center> | |||
<br> | |||
Part II. Pandit Yug/ Era of the Erudite. (1875 -1915). | Part II. Pandit Yug/ Era of the Erudite. (1875 -1915). | ||
Sections Ga 1 to 7. | Sections Ga 1 to 7. | ||
<br> | |||
<center> '''*''' </center> | |||
<br> | |||
Ga 1. Anandashankar Dhruv | Ga 1. Anandashankar Dhruv | ||
i: Poetry: A (Playful) Part of Ātman. | i: Poetry: A (Playful) Part of Ātman. | ||
ii: Literature and the Nation | |||
ii: Literature and the Nation | <br> | ||
<center> '''*''' </center> | |||
<br> | |||
Ga 2: Govardhanram Tripathi. | Ga 2: Govardhanram Tripathi. | ||
Classical Poets of Gujarat. | Classical Poets of Gujarat. | ||
. | |||
Ga 3: Manilal Nabhubhai Dvivedi. | Ga 3: Manilal Nabhubhai Dvivedi. | ||
Literature. | Literature. | ||
Ga 4: Ramanbhai Nilkanth. | Ga 4: Ramanbhai Nilkanth. | ||
Svanubhava Rasik and Sarvanubhava Rasik : The Two Worlds of Poetry | |||
Ga 5: Narasimharao Divetiya. | |||
Art and Turth: Reflection on Aesthetics | |||
Ga 5: Narasimharao Divetiya. | |||
Art and Turth: Reflection on Aesthetics | |||
Ga 6: Nanalal Kavi. | Ga 6: Nanalal Kavi. | ||
Gujarati poetry and Musicality. | |||
Gujarati poetry and Musicality. | |||
Ga 7: Balavantaray Thakor (1869 -1952) | Ga 7: Balavantaray Thakor (1869 -1952) | ||
Beyond the Lyric | |||
<center> '''* * *''' </center><br> | |||
CHAPTER 4 / Gha. (Sections Gha 1 to Gha 8) | CHAPTER 4 / Gha. (Sections Gha 1 to Gha 8) | ||
Dvitiya Vivarta / Second Variation : 1915 – 1955. | |||
Hind Svaraj Kal / Period of India Engendering its Freedom. | |||
* | |||
Gha 1: Mahatma Gandhi. | |||
i :Speech at Gujarati Sahitya Parishad. Ahmadabad, October 31,1936. | |||
i: Speech at Gujarati Sahitya Parishad. Ahmadabad, October 31,1936. | |||
ii :Foreword by M K Gandhi to K M Munshi’s Gujarat and Its Literature. | |||
Gh 2: Kaniayalal M. Munshi. | |||
Gujarat: The Land and the People. | |||
Gujarat: The Land and the People. | |||
Gha 3 : Ramnarayan V. Pathak | |||
Gha 3: Ramnarayan V. Pathak | |||
Literature and Life | Literature and Life | ||
Gha 4: ‘Sundaram’ (Tribhuvandas Luhar). | |||
Perspectives in Literary Criticiscism | |||
Gha 4: ‘Sundaram’ (Tribhuvandas Luhar). | |||
Perspectives in Literary Criticiscism | |||
Gha 5: Umashankar Joshi. | Gha 5: Umashankar Joshi. | ||
Style. | Style. | ||
Gha 6: Jhaverchand Meghani. | Gha 6: Jhaverchand Meghani. | ||
The Cultural Forces that Constituted Folk Literature of Gujarat. | The Cultural Forces that Constituted Folk Literature of Gujarat. | ||
Gha 7: Ramprasad Bakshi. | |||
Gha 7: Ramprasad Bakshi. | |||
Spirituality and Literature | Spirituality and Literature | ||
Gha 8: Vishnuprasad Trivedi | Gha 8: Vishnuprasad Trivedi | ||
The Devotion to Beauty | |||
The Devotion to Beauty | ** | ||
CHAPTER 5. Cha. ( Sections Cha 1 to Cha 9) | |||
Trutiya Vivarta / Third Variation : 1955 onwards | |||
Vyapana Shakti Kal. / Time of Energies for Enlargement. | |||
CHAPTER 5. Cha. (Sections Cha 1 to Cha 9) | * | ||
Cha 1. Suresh Joshi. | |||
Trutiya Vivarta / Third Variation: 1955 onwards | Our Literary Criticism. | ||
Vyapana Shakti Kal. / Time of Energies for Enlargement. | |||
Cha 1. Suresh Joshi. | |||
Our Literary Criticism. | |||
Cha 2. Niranjan Bhagat. | Cha 2. Niranjan Bhagat. | ||
Dharma, Science and Poetry | |||
Dharma, Science and Poetry | |||
Cha 3 Harivallabh Bhayani. | Cha 3 Harivallabh Bhayani. | ||
Stylistics Approaches - Western and Indian | Stylistics Approaches - Western and Indian | ||
Cha 4. Shirish Panchal. | |||
Crisis in Criticism. | |||
Cha 5. Chandrakant Topiwala. | |||
The Consummate Indian Rasa Theory. Chandrakant Topiwala | |||
Cha 5. Chandrakant Topiwala. | |||
The | |||
Cha 6. Himanshi Shelat. | Cha 6. Himanshi Shelat. | ||
Feminism in Gujarati literary Fiction (1975 - 1999) | Feminism in Gujarati literary Fiction (1975 - 1999) | ||
Cha 7. Babu Suthar. | Cha 7. Babu Suthar. | ||
Locating a Regional Language in a Globalization Process. | Locating a Regional Language in a Globalization Process. | ||
Cha 8. Bhagvandas Patel. | Cha 8. Bhagvandas Patel. | ||
The Direction of My Research. | The Direction of My Research. | ||
Cha 9. Kanti Malsatar. | Cha 9. Kanti Malsatar. | ||
Some Views on Dalit Literature | Some Views on Dalit Literature | ||
* * * | |||
Editor’s Note on APPENDICE 1, 2 3. / S.Y. | Editor’s Note on APPENDICE 1, 2 3. / S.Y. | ||
Appendix 1. A Vision of the Ancient Vallabhinagar for the Present | Appendix 1. A Vision of the Ancient Vallabhinagar for the Present | ||
Harivallabh Bhayani | Harivallabh Bhayani | ||
Appendix 2. Mahamaatya Vastupal and His Literary Circle. | Appendix 2. Mahamaatya Vastupal and His Literary Circle. | ||
Bhogilal Sandesara. | Bhogilal Sandesara. | ||
Appendix 3. Some Chronological Markers in History of Gujarati Literary Culture. | Appendix 3. Some Chronological Markers in History of Gujarati Literary Culture. | ||
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